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DTSTART;TZID=America/Chicago:20161202T203000
DTEND;TZID=America/Chicago:20161202T230000
DTSTAMP:20260419T114527
CREATED:20160906T212402Z
LAST-MODIFIED:20161119T213755Z
UID:2932-1480710600-1480719600@cafecarpe.com
SUMMARY:REBECCA REGO
DESCRIPTION:REBECCA REGO is a Wisconsin-born\, Illinois-based singer-songwriter\, best known as the front-woman for the Indie-Americana outfit Rebecca Rego & the Trainmen. The group is releasing their sophomore album\, ‘Lay These Weapons Down’\, in the autumn of 2016. Produced by Beau Sorenson (Death Cab for Cutie\, Bob Mould\, Superchunk)\, the new album is a departure from the band’s rootsier past. What hasn’t changed are the two things the group excels at: storytelling and sonic dynamism. \nRebecca has shared the stage with such acts as John Hiatt\, Rodney Crowell\, Joe Pug\, Dave and Phil Alvin\, Cory Chisel & The Wandering Sons\, Sarah Jarosz\, and many many more. \n” Not often a voice strikes the listener as one that fits the music and lyrics so impeccably\, but Rego offers a jazzy scat delivery topped with polished musicianship\, making for an inspirational indie anthem.”\n– Glide Magazine 2016 \nPraise for the debut record ‘Tolono’: \n“I love [Tolono]!”\n– Gene Shay (WXPN Philadelphia) \n“[Tolono] is charmingly sincere and offers a genuine reflection of life’s well-travelled roads.”\n-C’Ville Weekly (Charlottesville\, Virginia) \n“[Tolono] is an album worth celebrating\, from Rego’s smart\, attentive songwriting to her earthy and appealing Edie Brickell-like voice\, to the rustic warmth of the band that chugs along behind her”\n-Piet Levy Milwaukee Journal Sentinel \n“[Tolono] is personal\, sincere\, charming and genuine.”\n– CincyMusic.com \nRebecca will appear as a duo with Eric Fitts (primarily upright bass\, but also some acoustic and electric guitar). \nPlease call 920-563-9391 to reserve.
URL:https://cafecarpe.com/event/rebecca-rego/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20161203T201500
DTEND;TZID=America/Chicago:20161203T224500
DTSTAMP:20260419T114527
CREATED:20160902T233904Z
LAST-MODIFIED:20161024T201421Z
UID:2930-1480796100-1480805100@cafecarpe.com
SUMMARY:FENDRICK AND PECK
DESCRIPTION:Full of wonderful spirit\, creativity\, and heart\, FENDRICK & PECK ’s neo-traditionalist folk music is a brave concoction of mature lyrics with delicate melodies\, exquisite harmonies\, and a dash of old school. “Talent by soul mates\,” said one audience member\, and indeed\, it would be hard to believe Madeline and Brian (newly engaged) met a mere 4 years ago. With a constantly evolving performance experience\, filled with old poems that stir the heart\, evocative songs played on aged acoustic instruments\, and charming stories\, an evening with them is food for the soul. They live and thrive in the awkward space between deep questions and deep knowing with sparkling humor and enthusiasm. \nTheir new full length album\, The Sandhill Crane\, release date September 25\, is a real beauty with several new original songs as well as two covers (one written by David Olney and the other by Madeline’s Grandfather\, Richard Fendrick). Producer Timothy Frantzich says of the new work\, “These are good and important songs not only because of their immediate beauty and harmony…but also because they remind of us of our two way healing connection with nature.” \nPlease call 920-563-9391 to reserve.
URL:https://cafecarpe.com/event/fendrick-and-peck/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20161208T200000
DTEND;TZID=America/Chicago:20161208T223000
DTSTAMP:20260419T114527
CREATED:20161019T235208Z
LAST-MODIFIED:20161207T205920Z
UID:2956-1481227200-1481236200@cafecarpe.com
SUMMARY:LAMPLIGHTER- PETER MULVEY/PAUL CEBAR/BILL CAMPLIN/ KRIS DELMHORST- SOLD OUT
DESCRIPTION:   SOLD OUT as of Friday 12/2.  Please take a chance on some of the other wonderful shows in the lineup.  We will post on our Facebook page the day of the show if any tickets become available. \nOff to a grand start with a fantastic team- \nLamplighter sessions enlightment here \nWho is PETER MULVEY and why does he lamptoon us each year? \nOver the past 20 years\, Mulvey has pursued a restless\, eclectic path as a writer and musician – immersing himself in Tin PanAlley jazz\, modern acoustic\, poetry\, narrative\, and Americana stylings. Relentlessly touring as a headliner – his attitude is\, “When you love what you do\, you can work all the time\,” – he has also shared the stage with luminaries such as Emmylou Harris\, Richard Thompson\, Ani diFranco\, Indigo Girls\, and Greg Brown\, and has attracted an audience that stretches from Anchorage to Amsterdam. \nIn every aspect of his career\, Mulvey draws on an extremely broad swath of influence; he is always reading\, listening\, and eager to hear new poetry\, modern minimalist composers\, old-time fiddle tunes\, Argentinean trip-hop\, or top-shelf bar bands. Said The Irish Times: “Peter Mulvey is consistently the most original and dynamic of the US singer-songwriters to tour these shores. A phenomenal performer with huge energy\, a quick fire\, quirky take on life\, and an extraordinary guitar style. A joy to see.” \n….Still\, it is the live performance that defines that work. Night after night\, whether performing solo\, duo (with David “Goody” Goodrich)\, or sometimes even with a band\, Mulvey attempts to be the sum of his parts\, to draw on all the musical legacies he has studied\, to make a fresh\, vital moment out of everything he and the audience have brought to the table that night. “People need this. I need this. To come together in a room\, to try to make music come alive\, for real\, for right now\, and then to let it go…that is the whole deal for me.” \nPAUL CEBAR  Some idea of what Paul is about: “Milwaukee native Paul Cebar is a singing\, strumming\, and dancing museum of musical culture and a self-styled historian of myriad musical forms. Countless sounds pour forth when Cebar and his Milwaukeeans take the stage. New Orleans\, Chicago\, New york\, Africa\, Brazil\, Cuba\, jump-blues\, gospel\, jazz\, reggae\, calypso\, soul and vintage R&B are sterting points for something that becomes uniquely Cebar. This mishmash helps reimagine and liven up obscure classics\, and the band’s originals present new viewpoints on established styles.” The Onion AV Club \nKRIS DELMHORST \n“moody\, euphoric\, and transcendent” -LA Times\n“bold and brilliant” -Boston Globe\n“Delmhorst has become a favorite among music fans who like to be challenged as well as entertained.” – Music Box Online\n“a work of lo-fi beauty… evidence of an artist taking flight” -Boston Herald\n“As seamless and brave as it is brilliantly creative” -Irish Times\n“a gorgeous\, tender\, evocative voice and a textured and varied musical palette” -Amazon\n“warm and immediately accessible” … “a voice that breathes through the speakers” -All Music \nBILL CAMPLIN is a folk singer/songwriter and acoustic guitarist who began playing professionally in the Milwaukee area in the late 1960s. Camplin writes and arranges his own material and interprets that of others. He was an integral part of the Milwaukee acoustic folk scene for many years and appeared regularly at various clubs including the Blue River Café\, the Mine Shaft\, and the 19th Street Coffee House. OMG LOL! turn out he owns Café Carpe in Fort Atkinson!
URL:https://cafecarpe.com/event/llamplighter-peter-mulveypaul-cebarbill-camplin-kris-delmhorst/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20161209T203000
DTEND;TZID=America/Chicago:20161209T230000
DTSTAMP:20260419T114527
CREATED:20161031T013001Z
LAST-MODIFIED:20161207T183027Z
UID:2957-1481315400-1481324400@cafecarpe.com
SUMMARY:LAMPLIGHTER- PETER MULVEY/SIMON BALTO/CHRIS PORTERFIELD/ ANNA VOGELZANG
DESCRIPTION:Lamplighter sessions enlightment here \nWho is PETER MULVEY and why does he lamptoon us each year? \nOver the past 20 years\, Mulvey has pursued a restless\, eclectic path as a writer and musician – immersing himself in Tin PanAlley jazz\, modern acoustic\, poetry\, narrative\, and Americana stylings. Relentlessly touring as a headliner – his attitude is\, “When you love what you do\, you can work all the time\,” – he has also shared the stage with luminaries such as Emmylou Harris\, Richard Thompson\, Ani diFranco\, Indigo Girls\, and Greg Brown\, and has attracted an audience that stretches from Anchorage to Amsterdam. \nIn every aspect of his career\, Mulvey draws on an extremely broad swath of influence; he is always reading\, listening\, and eager to hear new poetry\, modern minimalist composers\, old-time fiddle tunes\, Argentinean trip-hop\, or top-shelf bar bands. Said The Irish Times: “Peter Mulvey is consistently the most original and dynamic of the US singer-songwriters to tour these shores. A phenomenal performer with huge energy\, a quick fire\, quirky take on life\, and an extraordinary guitar style. A joy to see.” \n….Still\, it is the live performance that defines that work. Night after night\, whether performing solo\, duo (with David “Goody” Goodrich)\, or sometimes even with a band\, Mulvey attempts to be the sum of his parts\, to draw on all the musical legacies he has studied\, to make a fresh\, vital moment out of everything he and the audience have brought to the table that night. “People need this. I need this. To come together in a room\, to try to make music come alive\, for real\, for right now\, and then to let it go…that is the whole deal for me.” \nSIMON BALTO‘s work has garnered praise from critics both local\, regional\, national\, and international. \nMost people mention the voice first. It comes from deep within. Sounds like it means what it says. Then come the lyrics and the stories — ones about workers and lovers\, mothers and sons\, the dying and mourning\, the prideful and the abused. Ones about the Midwest and the beauty and difficulty that characterizes life around here. There is a humanity in the songs that recalls the work of some of the folk tradition’s finest architects.\nThe songs linger. Exhale. Persist. \nIrish music publication Deadly Music! has compared his songwriting to top-of-his-game\, Blood on the Tracks­-era Dylan. The Chicago-based music curator Music Means Family said the following: “An unbelievable talent\, his layered folk ballads are reminiscent of Baez and Dylan\, Guthrie and Prine. There is a deeply satisfying componentto each of his songs – a reminder of home\, woodsmoke\, and the first traces of your breath as winter begins to settle.” \nHe has been featured on Wisconsin Public Television\, Wisconsin Public Radio\, Big Top Chautauqua’s Tent Show Radio\, Daytrotter\, and has supported and shared stages with a wide range of artists in recent years\, from Jason Isbell to Johnnyswim\, Field Report to Anderson East\, Peter Mulvey to Communist Daughter\, Charlie Parr to Horseshoes & Hand Grenades. \nIn 2016\, he will release Murmurations\, a full-band record that features Shane Leonard (Kalispell\, Field Report)\, Ben Lester (S. Carey\, The Tallest Man on Earth\, Aero Flynn)\, Steven Hobert\, Kevin Rowe (Buffalo Gospel)\, and Amanda Rigell (Count This Penny). \nCHRIS PORTERFIELD  says he is “midwestern to the core” and we find no fault with that kind of core. \n“The body remembers what the mind forgets\,” Chris Porterfield reminisces on his acclaimed band Field Report’s sophomore record\, Marigolden. The record is strewn with references to the inevitable tolls taken by the passage of time\, and prolonged distance from home and loved ones. \nThe past couple of years have flashed by for Porterfield\, who was thrust into the spotlight after years of musical reclusion. His Milwaukee-based band\, Field Report (an anagram of his surname)\, was culled together in the studio while recording their 2012 self-titled debut. They suddenly found themselves championed by their former idols: offered support tours by Counting Crows and Aimee Mann\, lauded by the likes of Mark Eitzel and Richard Thompson\, and covered by Blind Boys Of Alabama. \nThe band honed itself from a septet to a quartet in the year that followed\, focusing its sound and tightening the screws. With a heavy batch of songs under their arms\, they retreated to snowy Ontario in December 2013 to record their sophomore album\,Marigolden\, with the help of producer Robbie Lackritz (Feist). \nSpending two years roaming around the country playing tiny venues and sold-out amphitheaters alike\, Porterfield was uncertain whether he was leading the charge toward an artistic epiphany or headed down a misguided path of self-destruction. Marigolden reflects this\, as he ruminates across homesick tension and an un-grounded anxiety. But rather than wallow in melancholy\, Porterfield finds solace and inspiration through his songs\, which reveal themselves as uplifting and celebratory. The album is brighter than their 2012 debut\, but somehow remains just as elegantly ominous. \nMarigolden’s second track\, the surprisingly catchy radio single “Home\,” finds Porterfield on the road\, hoping the home\, wife\, dog\, and life he left behind in Milwaukee will still be there upon his return. “Leave the lights on\,” he asks\, “it might be nighttime when I get there\, but I’m on my way home.” While the song contemplates lonesomeness\, there is an undeniable sense of hope driving it. In “Summons\,” the penultimate track\, he recalls this thought\, repeating\, “I’ll be coming home to you” like a mantra. This sense of balance and symmetry across the album helps provide stability to the otherwise volatile themes. Case in point: the album starts with a sunrise in “Decision Day” and ends full circle with another in “Enchantment.” \nWhether reconsidering sobriety in “Pale Rider\,” sticking to tonic water in the bars of “Summons\,” or cashing in a 30-day chip for a kiss in “Enchantment\,” Porterfield’s relationship with alcohol runs through the current of nearly every song. Most notably in “Ambrosia\,” where he find himself face to face with the reality of where his drinking is destined to lead. \nThe album runs the musical gamut\, from the Traveling Wilburys-esque pop of “Home\,” to the Neil Young-inspired piano ballad “Ambrosia\,” to the electronic sonic landscape of “Wings.” While the compositions express a wide range in terms of genre\, they find unity in themselves within the limits of self-imposed minimalism. In the studio\, the songs were stripped down to the bones and built back up using only their essential elements. \nANNA VOGELZANG‘S melody-driven\, multi-instrumental folk-pop ballads have been met with warm reviews (9/10\, PopMatters) & landed her at festivals\, conferences\, and on bills with some of her heroes\, including Sara Bareilles\, Gillian Welch\, Mirah\, Anais Mitchell\, Laura Gibson\, Wye Oak\, Steve Poltz\, Amanda Palmer\, & many more. Anna is currently touring in support of the Driftless EP\, a home-spun\, steadfast collection of gritty new-folk songs\, many of which were written in 2014 as part of the song-a-week project RealWomenRealSongs. In 2015\, she will return to the studio to work with producer Todd Sickafoose on her fifth LP. Vogelzang plays the banjo\, ukuleles\, guitar\, and kalimba on stage\, but has always been a singer who loves words and feelings first and foremost.
URL:https://cafecarpe.com/event/lamplighter-peter-mulveysimon-baltotba/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20161210T203000
DTEND;TZID=America/Chicago:20161210T230000
DTSTAMP:20260419T114527
CREATED:20161021T205050Z
LAST-MODIFIED:20161207T181321Z
UID:2962-1481401800-1481410800@cafecarpe.com
SUMMARY:LAMPLIGHTER- PETER MULVEY/ BIRDS OF CHICAGO
DESCRIPTION:Enlighten yourself about Lamplighter sessions here. \nWho is PETER MULVEY and why does he lamptoon us each year? \nOver the past 20 years\, Mulvey has pursued a restless\, eclectic path as a writer and musician – immersing himself in Tin PanAlley jazz\, modern acoustic\, poetry\, narrative\, and Americana stylings. Relentlessly touring as a headliner – his attitude is\, “When you love what you do\, you can work all the time\,” – he has also shared the stage with luminaries such as Emmylou Harris\, Richard Thompson\, Ani diFranco\, Indigo Girls\, and Greg Brown\, and has attracted an audience that stretches from Anchorage to Amsterdam. \nIn every aspect of his career\, Mulvey draws on an extremely broad swath of influence; he is always reading\, listening\, and eager to hear new poetry\, modern minimalist composers\, old-time fiddle tunes\, Argentinean trip-hop\, or top-shelf bar bands. Said The Irish Times: “Peter Mulvey is consistently the most original and dynamic of the US singer-songwriters to tour these shores. A phenomenal performer with huge energy\, a quick fire\, quirky take on life\, and an extraordinary guitar style. A joy to see.” \n….Still\, it is the live performance that defines that work. Night after night\, whether performing solo\, duo (with David “Goody” Goodrich)\, or sometimes even with a band\, Mulvey attempts to be the sum of his parts\, to draw on all the musical legacies he has studied\, to make a fresh\, vital moment out of everything he and the audience have brought to the table that night. “People need this. I need this. To come together in a room\, to try to make music come alive\, for real\, for right now\, and then to let it go…that is the whole deal for me.” \nIn so many ways\, we are a word weary culture\, ever searching for ways to communicate in fewer and fewer words\, letters\, syllables…Our online\, blogged out\, you-tubed attention spans are truncated and fragmented like never before. BIRDS OF CHICAGO the collective centered around Allison Russell and JT Nero\, reassert the simple notion – radical in these times – that beautiful words and music can still tap deep veins of emotion. \nreal midnight’s gonna come/ real midnight’s’ gonna come\nreal wolves at your door/ with blood on their tongues\nnow what you gonna do/ with your days left in the sun ?\nha da la ha \nStark\, elemental imagery that feels like scripture\, or a lost folk song recovered; the Birds draw heavily on the gospel tradition and the music feels like a new\, secular gospel of sorts. For Birds of Chicago\, every word counts. Every note counts. No gold-dusting\, no filler. Music is the good news and Real Midnight\, the band’s poignant new Joe Henry produced album\, throbs with an urgency that feels quietly seismic. \nBirds of Chicago was born in 2012 when Nero began writing for his vocal star-muse\, Russell. Both were accomplished singer/songwriters with projects of their own\, Nero with JT and the Clouds and Russell with the acclaimed Canadian roots outfit Po’ Girl\, but together there was an unmistakable chemistry. Nero had found the perfect voice for his rock and roll psalms. Russell moved from being a primary songwriter to an interpreter\, and her simmering restraint is deeply refreshing to a landscape scorched by post Voice/American Idol vocal gymnastics and over-emoting. \nOn Real Midnight\, Birds of Chicago alternate moody rock swagger with the ghostliest of soundscapes. Produced by Joe Henry\, a man whose expert blending of light and shadow is well known\, the album is a melancholy – but never shoe gazing – suite\, full of wayward\, joyful\, lonesome voices raised up against the night. \nMusic this raw and soul-rich demands to be experienced live\, and Birds of Chicago have developed a fervent following\, touring 200 nights a year since their formation in late 2012.  For these Birds\, singing for a room full of new people\, hearts wide open\, keeps off the cold and chases off the shadows. 2016 will find the band in constant motion – from sea to sea and beyond.
URL:https://cafecarpe.com/event/lamplighter-peter-mulveybirds-of-chicago/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20161211T193000
DTEND;TZID=America/Chicago:20161211T220000
DTSTAMP:20260419T114527
CREATED:20161021T205112Z
LAST-MODIFIED:20161130T180704Z
UID:2961-1481484600-1481493600@cafecarpe.com
SUMMARY:LAMPLIGHTER- PETER MULVEY BAND\, featuring SistaStrings/ BIRDS OF CHICAGO
DESCRIPTION:Enlighten yourself about Lamplighter sessions here. \nWho is PETER MULVEY and why does he lamptoon us each year? \nOver the past 20 years\, Mulvey has pursued a restless\, eclectic path as a writer and musician – immersing himself in Tin PanAlley jazz\, modern acoustic\, poetry\, narrative\, and Americana stylings. Relentlessly touring as a headliner – his attitude is\, “When you love what you do\, you can work all the time\,” – he has also shared the stage with luminaries such as Emmylou Harris\, Richard Thompson\, Ani diFranco\, Indigo Girls\, and Greg Brown\, and has attracted an audience that stretches from Anchorage to Amsterdam. \nIn every aspect of his career\, Mulvey draws on an extremely broad swath of influence; he is always reading\, listening\, and eager to hear new poetry\, modern minimalist composers\, old-time fiddle tunes\, Argentinean trip-hop\, or top-shelf bar bands. Said The Irish Times: “Peter Mulvey is consistently the most original and dynamic of the US singer-songwriters to tour these shores. A phenomenal performer with huge energy\, a quick fire\, quirky take on life\, and an extraordinary guitar style. A joy to see.” \n….Still\, it is the live performance that defines that work. Night after night\, whether performing solo\, duo (with David “Goody” Goodrich)\, or sometimes even with a band\, Mulvey attempts to be the sum of his parts\, to draw on all the musical legacies he has studied\, to make a fresh\, vital moment out of everything he and the audience have brought to the table that night. “People need this. I need this. To come together in a room\, to try to make music come alive\, for real\, for right now\, and then to let it go…that is the whole deal for me.” \nPeter’s band this night will feature Milwaukee siblings Monique and Chauntee Ross\, SISTA STRINGS.  Although they are classically trained and are passionate lovers of the classical music genre\, their first love is gospel music. Their sound is soulful and fresh\, a very unique blend of their eclectic musical background. Nathan Kilen will supply tasteful percussion. \nIn so many ways\, we are a word weary culture\, ever searching for ways to communicate in fewer and fewer words\, letters\, syllables…Our online\, blogged out\, you-tubed attention spans are truncated and fragmented like never before. BIRDS OF CHICAGO\, the collective centered around Allison Russell and JT Nero\, reassert the simple notion – radical in these times – that beautiful words and music can still tap deep veins of emotion. \nreal midnight’s gonna come/ real midnight’s’ gonna come\nreal wolves at your door/ with blood on their tongues\nnow what you gonna do/ with your days left in the sun ?\nha da la ha \nStark\, elemental imagery that feels like scripture\, or a lost folk song recovered; the Birds draw heavily on the gospel tradition and the music feels like a new\, secular gospel of sorts. For Birds of Chicago\, every word counts. Every note counts. No gold-dusting\, no filler. Music is the good news and Real Midnight\, the band’s poignant new Joe Henry produced album\, throbs with an urgency that feels quietly seismic. \nBirds of Chicago was born in 2012 when Nero began writing for his vocal star-muse\, Russell. Both were accomplished singer/songwriters with projects of their own\, Nero with JT and the Clouds and Russell with the acclaimed Canadian roots outfit Po’ Girl\, but together there was an unmistakable chemistry. Nero had found the perfect voice for his rock and roll psalms. Russell moved from being a primary songwriter to an interpreter\, and her simmering restraint is deeply refreshing to a landscape scorched by post Voice/American Idol vocal gymnastics and over-emoting. \nOn Real Midnight\, Birds of Chicago alternate moody rock swagger with the ghostliest of soundscapes. Produced by Joe Henry\, a man whose expert blending of light and shadow is well known\, the album is a melancholy – but never shoe gazing – suite\, full of wayward\, joyful\, lonesome voices raised up against the night. \nMusic this raw and soul-rich demands to be experienced live\, and Birds of Chicago have developed a fervent following\, touring 200 nights a year since their formation in late 2012.  For these Birds\, singing for a room full of new people\, hearts wide open\, keeps off the cold and chases off the shadows. 2016 will find the band in constant motion – from sea to sea and beyond.
URL:https://cafecarpe.com/event/lamplighter-peter-mulvey-birds-of-chicago/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20161214T200000
DTEND;TZID=America/Chicago:20161214T223000
DTSTAMP:20260419T114527
CREATED:20161104T213636Z
LAST-MODIFIED:20161213T221859Z
UID:2963-1481745600-1481754600@cafecarpe.com
SUMMARY:LAMPLIGHTER- PETER MULVEY/ BEN BEDFORD/ JOSEPH HUBER/LOST LAKES
DESCRIPTION:Enlighten yourself about Lamplighter sessions here \nWho is PETER MULVEY and why does he lamptoon us each year? \nOver the past 20 years\, Mulvey has pursued a restless\, eclectic path as a writer and musician – immersing himself in Tin PanAlley jazz\, modern acoustic\, poetry\, narrative\, and Americana stylings. Relentlessly touring as a headliner – his attitude is\, “When you love what you do\, you can work all the time\,” – he has also shared the stage with luminaries such as Emmylou Harris\, Richard Thompson\, Ani diFranco\, Indigo Girls\, and Greg Brown\, and has attracted an audience that stretches from Anchorage to Amsterdam. \nIn every aspect of his career\, Mulvey draws on an extremely broad swath of influence; he is always reading\, listening\, and eager to hear new poetry\, modern minimalist composers\, old-time fiddle tunes\, Argentinean trip-hop\, or top-shelf bar bands. Said The Irish Times: “Peter Mulvey is consistently the most original and dynamic of the US singer-songwriters to tour these shores. A phenomenal performer with huge energy\, a quick fire\, quirky take on life\, and an extraordinary guitar style. A joy to see.” \n….Still\, it is the live performance that defines that work. Night after night\, whether performing solo\, duo (with David “Goody” Goodrich)\, or sometimes even with a band\, Mulvey attempts to be the sum of his parts\, to draw on all the musical legacies he has studied\, to make a fresh\, vital moment out of everything he and the audience have brought to the table that night. “People need this. I need this. To come together in a room\, to try to make music come alive\, for real\, for right now\, and then to let it go…that is the whole deal for me.” \nBEN BEDFORD delivers intriguing sketches of America\, its individuals\, their victories and their struggles. Poignant\, but never sentimental\, Bedford’s portrait-like songs capture the vitality of his characters and draw the listener deep into the narratives. With three albums to his credit\, Bedford’s songs tackle scenarios including homelessness\, the plight of a Confederate soldier’s wife during the American Civil War\, the aerial triumphs of Amelia Earhart\, the life of Jack London\, the murder of Emmett Till in 1955\, John the Baptist\, the poet Vachel Lindsay and even the 1973 standoff between members of The American Indian Movement and federal agents on the Pine Ridge Reservation. Often drawing upon history\, Bedford’s songs have a strong sense of time and place. The songs are rich in sensory detail which allows the listener to hear\, see and feel each narrative. \nA true son of the heartland\, Bedford dips into the deep inkwell of classic American literature and writes with the ‘old soul’ quality of his literary idols\, such as John Steinbeck and Toni Morrison. All three of Bedford’s albums have charted highly on the Euro Americana charts and the Folk-DJ charts with What We Lost also charting highly on the Roots Music Report charts. In July of 2010\, Bedford was named one of the “50 most significant Folk singer-songwriters of the past 50 years” by Rich Warren of WFMT-Chicago. The list\, which included artists such as Bob Dylan\, Townes Van Zandt\, Judy Collins and John Prine subsequently appeared on the blog of journalist Eric Zorn on the Chicago Tribune website. \nBedford recently finished work on his fourth album\, The Pilot and the Flying Machine\, which features Diederik van Wassenaer (The Underhills\, Dietrich Jon) on violin\, Ethan Jodziewicz (Sierra Hull\, Darol Anger) on double bass\, Kari Bedford on harmonies and was engineered by Dave Sinko (Punch Brothers\, YoYo Ma\, Edger Meyer). \n“The Illinois songwriter is a masterful storyteller who can turn what seem like obscure historical references for engaging tales rife with vivid\, stark imagery.”  Erik Ernst\, The Milwaukee Journal Sentinel \nJOSEPH HUBER   Will be Joseph’s Carpe debut.  Singer/Songwriter/Multi-Instrumentalist Joseph played  with the Milwaukee-based “streetgrass” group\, the .357 String Band–a group that\, despite its abrupt break-up\, still continues to gain popularity\, is known as one of the most influential groups in the recent insurgent underground country and bluegrass movements. Having moved from .357\, Huber has honed his songwriting abilities immensely and now continues moving onward and upward captivating folks with his sincere and well-crafted songs under his own name and with his backing band. Whether it’s irresistible\, fiddle-driven\, danceable tunes or honest\, heart-wrenching “songwriter” songs\, Huber spans the spectrum and knows how to evoke joy or pain with the likes of the best. \nHis lyricism and introspective writing style has received high acclaim from many Americana enthusiasts. Huber released his 3rd solo album entitled ‘The Hanging Road’ under Nashville’s ‘Muddy Roots Recordings’ label in Spring 2014\, following his self-released previous efforts\, ‘Bury Me Where I Fall’ and ‘Tongues of Fire’\, and has plans for yet another early 2017 release. \nLOST LAKES is a collaboration between Corey Mathew Hart and Paul Mitch. The two met during a songwriting competition held by a local radio station. It wasn’t until they returned for a duets portion of the follow year’s competition that Corey saw Paul play bass and singing harmonies. The first time Corey and Paul played together\, they clicked musically and personally. The collaboration has grown over the years\, developing into a strong songwriting and production team with a focus on well-crafted tunes and tight vocal harmonies. Lost Lakes’ self-titled debut record bears witness to their talents and the fact the whole can be greater than the sum of its parts. \nRecorded over a 9 month period\, the recording process was a labor of love. Paul and Corey produced the record and enlisted percussionist Shane Leonard (Field Report\, The Stray Birds) along with longtime bandmate Rusty Lee on keyboards to fill out the sound. The project was recorded in a shared warehouse space called the Dojo. Many of the basic tracks were recorded live in 2 separate sessions with overdubs done in small Thursday night sessions. Being fairly porous to the outside elements\, the temperature in the Dojo ranged from 41 degrees to well over 100 over the course of the project\, adding a sense of adventure to the sessions. Being able to take their time for this project gave Corey and Paul a lot of freedom to try different sounds and arrangements for songs they have been playing live for a couple of years. With no pressure\, no deadline\, and a giant warehouse space filled with eclectic gear\, the two managed to create a record of the highest quality. \nWhen it came time to mix the album\, Corey and Paul called on an old acquaintance\, Grammy award winning engineer Justin Guip. The two had met Guip years ago when they opened for The Amy Helm (daughter of Levon Helm) at a Barn show in Spring Green\, WI. Guip also happened to have just finished a record with the Stray Birds that Shane Leonard played percussion on. The past and present collided\, and the timing couldn’t have been better. Corey and Paul approached Guip about mixing the record and he was very excited about the songs and tracks that were laid down at the Dojo. Guip’s aesthetic greatly aligned with the vision that Paul and Corey had for the record\, and the result is a compelling masterpiece.
URL:https://cafecarpe.com/event/lamplighter-peter-mulvey-ben-bedford-tba/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20161215T200000
DTEND;TZID=America/Chicago:20161215T223000
DTSTAMP:20260419T114527
CREATED:20161021T230219Z
LAST-MODIFIED:20161212T191050Z
UID:2964-1481832000-1481841000@cafecarpe.com
SUMMARY:LAMPLIGHTER- PETER MULVEY/ JOHN STATZ/ BRIANNA LANE/ JOSH HARTY
DESCRIPTION:Enlighten yourself about Lamplighter sessions here \nWho is PETER MULVEY and why does he lamptoon us each year? \nOver the past 20 years\, Mulvey has pursued a restless\, eclectic path as a writer and musician – immersing himself in Tin PanAlley jazz\, modern acoustic\, poetry\, narrative\, and Americana stylings. Relentlessly touring as a headliner – his attitude is\, “When you love what you do\, you can work all the time\,” – he has also shared the stage with luminaries such as Emmylou Harris\, Richard Thompson\, Ani diFranco\, Indigo Girls\, and Greg Brown\, and has attracted an audience that stretches from Anchorage to Amsterdam. \nIn every aspect of his career\, Mulvey draws on an extremely broad swath of influence; he is always reading\, listening\, and eager to hear new poetry\, modern minimalist composers\, old-time fiddle tunes\, Argentinean trip-hop\, or top-shelf bar bands. Said The Irish Times: “Peter Mulvey is consistently the most original and dynamic of the US singer-songwriters to tour these shores. A phenomenal performer with huge energy\, a quick fire\, quirky take on life\, and an extraordinary guitar style. A joy to see.” \n….Still\, it is the live performance that defines that work. Night after night\, whether performing solo\, duo (with David “Goody” Goodrich)\, or sometimes even with a band\, Mulvey attempts to be the sum of his parts\, to draw on all the musical legacies he has studied\, to make a fresh\, vital moment out of everything he and the audience have brought to the table that night. “People need this. I need this. To come together in a room\, to try to make music come alive\, for real\, for right now\, and then to let it go…that is the whole deal for me.” \nHailing from the song-rich soil of Minneapolis\, BRIANNA LANE  is the latest in a deluge of compelling songwriters flooding the region. Lane’s vocals are both confidant and fragile\, running parallels to Mindy Smith or Americana veteran Patty Griffin. Behind Lane’s beguiling smile lies a heart that has had its share of heartache where songs like “In My Bones” and “Company” draw their inspiration. Her stories oscillate between a sense of urgency and resolve while seeking a tranquil balance. \nJOHN STATZ recorded his last album with an all-star band in the middle of a Vermont ice storm.  After years of DIY touring everywhere from Eastern Europe to Mexico\, the Wisconsinite who now resides in Colorado fell in with fellow Midwesterner Jeffrey Foucault\, a critically acclaimed songwriter and veteran of the americana circuit. A fan of Statz’s last album (2012’s Old Fashioned\, produced by Bo Ramsey)\, Foucault offered to produce his next record while the two were on tour together in Colorado. \nThe resulting Tulsa is beautiful blend of soft americana and smooth folk with echoes of The Jayhawks and Whiskeytown. “John writes songs you can’t shake\,” says Foucault. “They follow you around all day and run through your head at 3 a.m. Open hearted\, horizon-line songs.” \n“…lush melodies and a sense of time\, space and place dominate his work\, creating a sound that stops the listener in his or her tracks and once there\, holds them spellbound… More than merely a set of songs\, it holds together conceptually\, making it the kind of album that figures to be a landmark of sorts in Statz’s still smoldering career. It’s simply that good.”– PopMatters \nJOSH HARTY‘s unique blend of American music has become a must-hear for those who keep the tradition of country\, blues and folk close to their hearts. The touring bug has never left him as he continuously travels across Europe and North America. More than just moving along\, he’s spending plenty of time in the communities along the way\, from Brooklyn to Haarlem\, from London to Portland. Harty is always looking for that balance between the rolling road and the people who inspire him\, trading stories around kitchen tables and theatre stages. His live shows prove that good storytelling combined with journeyman musicianship is as American as music gets. \n“Josh Harty is a mid-West\, singer-songwriter with a keen eye\, observant lyrics and a fine\, driving guitar-style that pulses with feeling and fire. . .Harty’s fretwork is crisp\, zingy and always compelling\, catching you unawares almost with hints of traditional country in the mix; Chet seems to hang in the background balance at times\, followed by ole Doc Watson before he twists the tail\, snapping free with a trace of Knopfler at his best and a clear grip of the very fundamentals of good quality modern country music/ Americana.. . . “Iain Patience\, Elmore Magazine\, 2016
URL:https://cafecarpe.com/event/lamplighter-peter-mulvey-john-statz-brianna-lane-josh-harty/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20161216T203000
DTEND;TZID=America/Chicago:20161216T230000
DTSTAMP:20260419T114527
CREATED:20161104T213612Z
LAST-MODIFIED:20161107T151616Z
UID:2965-1481920200-1481929200@cafecarpe.com
SUMMARY:LAMPLIGHTER- PETER MULVEY/SEASAW/ JEFF STEHR
DESCRIPTION:Enlighten yourself about Lamplighter sessions here \nWho is PETER MULVEY and why does he lamptoon us each year? \nOver the past 20 years\, Mulvey has pursued a restless\, eclectic path as a writer and musician – immersing himself in Tin PanAlley jazz\, modern acoustic\, poetry\, narrative\, and Americana stylings. Relentlessly touring as a headliner – his attitude is\, “When you love what you do\, you can work all the time\,” – he has also shared the stage with luminaries such as Emmylou Harris\, Richard Thompson\, Ani diFranco\, Indigo Girls\, and Greg Brown\, and has attracted an audience that stretches from Anchorage to Amsterdam. \nIn every aspect of his career\, Mulvey draws on an extremely broad swath of influence; he is always reading\, listening\, and eager to hear new poetry\, modern minimalist composers\, old-time fiddle tunes\, Argentinean trip-hop\, or top-shelf bar bands. Said The Irish Times: “Peter Mulvey is consistently the most original and dynamic of the US singer-songwriters to tour these shores. A phenomenal performer with huge energy\, a quick fire\, quirky take on life\, and an extraordinary guitar style. A joy to see.” \n….Still\, it is the live performance that defines that work. Night after night\, whether performing solo\, duo (with David “Goody” Goodrich)\, or sometimes even with a band\, Mulvey attempts to be the sum of his parts\, to draw on all the musical legacies he has studied\, to make a fresh\, vital moment out of everything he and the audience have brought to the table that night. “People need this. I need this. To come together in a room\, to try to make music come alive\, for real\, for right now\, and then to let it go…that is the whole deal for me.” \nSEASAW is Eve Wilczewski and Meg Golz\, who are the sea and saw respectively. Fate and a small-town restaurant in Freeport\, IL brought them together for the first time in 2010. Seasaw collaborated through four years of long-distance until the summer of 2015\, when Eve joined Meg in their current residence of Madison\, WI. Seasaw has since grown their powerful and charismatic sound in a way that can only be accomplished when best friends are living and creating within blocks of each other. \nKeeping their folk roots in the back of their mind\, the eleven songs on Seasaw’s newest album ‘Too Much of a Good Thing’ (out July 22\, 2016) venture head-first into the pop and indie-rock realm. The duo has transformed into a combination of commanding instrumentation\, intricate harmonies\, and refreshing wit that is uniquely Seasaw. Using the metaphor of a sunburn\, ‘Too Much of a Good Thing’ is an exploration of metamorphosis – each song a new stage\, insight\, and conversation about the shared experience of any relationship. The album listens much like a mix-tape; all of the songs complimenting one another while elaborating further on the thesis of change. As a listener\, you relate to the peaks and valleys of human interaction; the elation (suntan)\, the pain (sunburn)\, and finally\, an acceptance (new skin). \nSeasaw has had the honor of performing alongside: Lissie\, Paleface\, SOAK\, Thao & the Get Down Stay Down\, Run River North\, You Won’t\, Caroline Smith\, Sonntag (formerly of Phox)\, We Are The Willows and many others. \nJEFF STEHR is a singer songwriter from Milwaukee WI\, \nJeff leads his five piece ensemble\, The Tritonics\, in updated varieties of Jamaican roots music; rock steady\, ska and roots reggae. Their latest recording\, Dance Crasher\, was released in January 2016. \nHe also plays keyboards in the diverse\, Americana oriented\, John Sieger-led ensemble The Subcontinentals. Their most recent recording is The Early Years. \nJeff also writes and performs as a solo artist\, banging out original songs and a diverse assortment of covers on a dreadnaught Martin guitar and a variety of Korg and Yamaha keyboard instruments. \nJeff is grateful for the experience gained and friendships made while playing in ensembles like World Roots\, Brave New Groove\, Mark Truesdell and The Lost Pioneers\, C- Food Buffet\, The Al Pike Blues Band and Mt. Zion Sound System.
URL:https://cafecarpe.com/event/lamplighter-peter-mulveyseasaw-jeff-stehr/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20161217T203000
DTEND;TZID=America/Chicago:20161217T230000
DTSTAMP:20260419T114527
CREATED:20161025T155039Z
LAST-MODIFIED:20161217T213941Z
UID:2966-1482006600-1482015600@cafecarpe.com
SUMMARY:CORKY SIEGEL & HOWARD LEVY HOLIDAY CONCERT
DESCRIPTION:They are here- the show will go on. If you decide not to come and seek a refund\, you must contact Brown Paper Tickets before 7:30 tonight. Please also inform the Carpe at 920-563-9391. \nCORKY SIEGEL and HOWARD LEVY:  A Harmonica Convergence of Two Giants of Jazz and Blues \nThe contrasting musical conversations between these two giants of jazz and blues\, both who are stellar performers on harmonica and piano\, has proven to be a riveting edge-of-your-seat experience. Individuality\, uniqueness\, playfulness and adventure\, are all trademarks of both the stylings of Siegel and Levy. They draw the audience in with an intimacy to their performance in a way that only old friends of several decades – with a special connection\, can. They constantly conjole with a grand sense of humor while dazzling you with sheer jaw-dropping skill and virtuosity. They will definitely get you in the holiday spirit as they perform some seasonal classics with their own original twist. \nCorky Siegel is\, of course\, the award-winning composer who\, at a very young age\, learned his craft at the feet of such legendary first generation bluesmen as Muddy Waters and Howlin’ Wolf and as a part of Siegel-Schwall Band. With his Chamber Blues ensemble\, he is credited with moving the blues from smokey clubs onto the classical concert stage and obliterating musical categorization in the process. \nHoward Levy is probably best known as a founding member of the GRAMMY winning group Bela Fleck and the Flecktones. He has recorded with a long list of greats such as Paul Simon and Dolly Parton\, as well as frequent guest appearances performing on Garrison Keillor’s A Prairie Home Companion’s weekly National Public Radio show. \nAny audience member who attended their last rare foray together can tell you this evening is definitely one not to be missed.
URL:https://cafecarpe.com/event/corky-siegel-howard-levy-holiday-concert/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20161221T193000
DTEND;TZID=America/Chicago:20161221T220000
DTSTAMP:20260419T114527
CREATED:20161020T191838Z
LAST-MODIFIED:20161220T152851Z
UID:2967-1482348600-1482357600@cafecarpe.com
SUMMARY:KEROSENE KITES HOLIDAY SHOW
DESCRIPTION:Kerosene Kites is an acoustic duo featuring two veteran Madison-area artists\,BETH KILLE and ERIK KJELLAND of Mascot Theory. These highly decorated songwriters teamed up to release an album of original holiday tunes\, Northstar Sessions\, in December of 2014. After the taking home “Unique Album” and “Unique Song of the Year” honors at the 2015 Madison Area Music Association (MAMA) Awards for their first release\, they decided to follow up with a new holiday-themed album\, due out in December of 2016. Their shows feature tight harmonies layered over clever Americana-style tunes. \nPlease call 920-563-9391 to reserve.
URL:https://cafecarpe.com/event/kerosene-kites-holiday-show/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20161222T193000
DTEND;TZID=America/Chicago:20161222T220000
DTSTAMP:20260419T114527
CREATED:20161021T202941Z
LAST-MODIFIED:20161021T202941Z
UID:2968-1482435000-1482444000@cafecarpe.com
SUMMARY:STORY OF TWO
DESCRIPTION:STORY OF TWO is a high-energy acoustic rock duo from Boulder Colorado. This husband and wife duo features Fort Atkinson native Harmony Jones (Greenhalgh) on violin/voice and Brad Jones on guitar. Harmony and Brad play rock in the style of virtually every decade mixed with feisty world music arrangements. Since their first show in July of 2015\, Story of Two have exploded onto the scene with a full schedule of shows across the US. 2017 has the duo performing even more\, including a tour to Iceland in March. This fun-filled upbeat duo is guaranteed to get you toe tapping and singing along. \nPlease call 920-563-9391 to reserve.
URL:https://cafecarpe.com/event/story-of-two/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20161223T203000
DTEND;TZID=America/Chicago:20161223T230000
DTSTAMP:20260419T114527
CREATED:20161217T192236Z
LAST-MODIFIED:20161217T192236Z
UID:3008-1482525000-1482534000@cafecarpe.com
SUMMARY:BILL CAMPLIN and his band of elves
DESCRIPTION:
URL:https://cafecarpe.com/event/bill-camplin-and-his-band-of-elves/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20161226T190000
DTEND;TZID=America/Chicago:20161226T213000
DTSTAMP:20260419T114527
CREATED:20161026T205404Z
LAST-MODIFIED:20161107T150244Z
UID:2974-1482778800-1482787800@cafecarpe.com
SUMMARY:SYD HARTHA & the MONKEYMINDS
DESCRIPTION:It’s Boxing Day\, so what do you expect? \nSYD HARTHA & the MONKEYMINDS (previously known as Devil in the Outhouse and What’s His Name & Some Other Guys) are Greg Valde\, Brian “Looper” Lucas\, Scott McCormick and whatever special guests we can dredge up to join us. \nWe will be offering our 10th annual traditional holiday concert – which is unlikely to include much holiday music. However\, there will be Americana\, folk\, blues\, comedy and group therapy services available. \nGuitars\, harmonica\, accordion\, vocals\, accordion\, shaker egg\, and more!! \n“Sure it’s juvenile and irreverent\, but if you drink enough it’s not that bad.”\n(anonymous satisfied customer) \nPlease call 920-563-9391 to reserve.
URL:https://cafecarpe.com/event/devil-in-the-outhouse-4/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20161228T193000
DTEND;TZID=America/Chicago:20161228T220000
DTSTAMP:20260419T114527
CREATED:20161204T172621Z
LAST-MODIFIED:20161204T172731Z
UID:2999-1482953400-1482962400@cafecarpe.com
SUMMARY:THE MERRY HORDE ANNUAL FOOD PANTRY BENEFIT
DESCRIPTION:Hark the Herald Horde sings!  Loads of Fun\, good music\, great harmonies are the thoughts that come to mind whenever The Merry Horde performs. The oft repeated phrase following each performance is “…and a good time was had by all”. So join us for a historic romp through a medley of bluegrass\, and selected tunes from the 60’s & 70’s with one of Fort’s own\, locally harvested\, bands. These guys may be getting up there\, but they can still bash out the chords and belt out the harmonies that will make the hair on your arms stand straight up!?! \nAnd to boot\, this performance is for a good cause- all proceeds will go to the FORT ATKINSON FOOD PANTRY.  The music and the fun are free. So bring some canned or packaged goods\, or stop by your favorite ATM on the way down so you can make a cash donation of your choosing to the Food Pantry. \nPlease call the Cafe Carpe 920-563-9391 to reserve seats.
URL:https://cafecarpe.com/event/the-merry-horde-annual-food-pantry-benefit-3/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20161230T193000
DTEND;TZID=America/Chicago:20161230T220000
DTSTAMP:20260419T114527
CREATED:20161219T221217Z
LAST-MODIFIED:20161219T221400Z
UID:3010-1483126200-1483135200@cafecarpe.com
SUMMARY:OPEN STAGE- finally!
DESCRIPTION:Been awhile\, being as we have had so many shows booked over the last couple of months. \nCome on down and strut your stuff in a 2 song rotation with others.
URL:https://cafecarpe.com/event/open-stage-finally/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20161231T213000
DTEND;TZID=America/Chicago:20170101T003000
DTSTAMP:20260419T114527
CREATED:20161026T210805Z
LAST-MODIFIED:20161221T175143Z
UID:2975-1483219800-1483230600@cafecarpe.com
SUMMARY:NEW YEAR'S EVE- CHRIS HANSON BAND w/ ROBIN PLUER
DESCRIPTION:Our annual food and music package New Year’s Eve celebration. \nLast year the CHRIS HANSON BAND and audience had such a lovely time that it only made sense to have them again. Some of Milwaukee’s finest will be serving up their best for you. \nSo come ring in the New Year with enough goodness and warmth to sustain us through the upcoming years. [Apropos of this\, some carp are thought to be a symbol of luck\, prosperity\, and good fortune within Japan. (and Fort Atkinson.)} \nWe do not serve food from our regular menu this night- we are only open for those who sign up for the food plus music package. We will know that day whether there will be room for people who only want to attend the show. \n\nThe full food/music package deal is $50. Please call us to reserve a space at 920-563-9391.\nIn addition to calling to reserve your seats for dinner and show\, we are asking you to purchase the music portion ($30) in advance via this link to Brown Paper Tickets   . You may also pay at the Carpe\, or send a check.\nThe $20 dinner fee will be put on a tab that night\, and your drinks and a gratuity will be added to it.\nThe dinner includes an entree of shrimp and sausage gumbo\, a dessert and coffee course after the first set\, and 1 drink.  Please inform us of any food sensitivities so that we can accommodate them.\nTo facilitate feeding everyone efficiently\, we ask that you chose a 7:00 hour or 8:00 hour time slot when signing up. Your arrival does not have to be precise within those 2 hour slots.\nMusic begins about 9:30 and will go past midnight.\n\nCHRIS HANSON BAND features: \nRobin Pluer-Vocals\nGlenn Asch-Violin\nJohn Parrott-Guitar\, Vocals\nJohn Babbitt-Bass\nChris Hanson-Guitar\,Vocals
URL:https://cafecarpe.com/event/new-years-eve-chris-hanson-band-w-robin-pluer/
END:VEVENT
END:VCALENDAR