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X-WR-CALDESC:Events for Cafe Carpe
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TZID:America/Chicago
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20141101T203000
DTEND;TZID=America/Chicago:20141101T230000
DTSTAMP:20260808T162933
CREATED:20140827T225709Z
LAST-MODIFIED:20141029T153524Z
UID:2230-1414873800-1414882800@cafecarpe.com
SUMMARY:HAYNIE & SAMUEL
DESCRIPTION:DON HAYNIE & SHERYL SAMUEL \nDon and Sheryl have learned to combine upbeat\, sometimes drivingly energetic songs with wistful\, thoughtful ballads\, for performances with grit as well as grace. Don’s songs can make you laugh\, cry\, or dance as he ranges in topic from the absurdities of modern life (Chaplain of the Mall) to the poignance of family (My Grandmother’s Piano) to the mysteries of mortality (When I Cross the Great Divide). Their excellent individual voices combine in well thought-out arrangements to sound sometimes like one incredible voice\, and sometimes like more than two. \nTheir instrumentation– Sheryl’s use of percussion interwoven with Don’s six- and twelve-string guitars– gives their music a rhythmic drive rarely found in contemporary acoustic music: sometimes working as a compelling rhythm section supporting the vocal melodies and harmonies\, sometimes lending a delicate accent\, and often touching their music with a world beat flavor\, through the use of percussion instruments from many cultures. Their early years performing in the bars and taverns of New York and New England helped to give their music a strength not often found in singer/songwriter acts– you just can’t sing a lot of self-involved nonsense in clubs like that\, not unless you can give it a great beat\, and some energy and humor. Don and Sheryl have learned to combine upbeat\, sometimes drivingly energetic songs with wistful\, thoughtful ballads\, for performances with grit as well as grace. \nAs innovative and refreshing as this duet’s instrumentation is\, it is there mostly to support the real heart of their music\, the songs themselves\, and Don and Sheryl’s unique\, powerful vocal harmonies. Their songs and arrangements may be the result of studying their craft (and a healthy dose of inspiration) but their vocal blend is one of those acts of nature or magic that can never really be crafted\, or duplicated\, only appreciated. And it’s this unique vocal quality\, along with great songs and arrangements\, that puts them on a level with the best. \n 
URL:https://cafecarpe.com/event/don-haynie-sheryl-samuel-2/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20141105T200000
DTEND;TZID=America/Chicago:20141105T223000
DTSTAMP:20260808T162933
CREATED:20140908T172738Z
LAST-MODIFIED:20141012T122108Z
UID:2244-1415217600-1415226600@cafecarpe.com
SUMMARY:SPOOK HANDY "Remembering Pete Seeger"
DESCRIPTION:Spook Handy performed alongside Pete Seeger at festivals and concerts over 50 times from 2003 – 2014 learning many of Pete’s songs and the stories behind them. Now\, Spook is touring throughout the U.S and Canada (and soon Europe and Australia) sharing these songs and stories at theaters\, arts centers\, libraries\, universities\, churches and anywhere else people gather to celebrate Pete’s life and legacy. \nSays Spook: \n“Every citizen of this planet needs to know about Pete. Pete was a one-of-a-kind citizen of the world who loved humanity and worked with others to respect\, save and rehabilitate the environment. He is an important historical figure who embodied the ideals that are ascribed to the founding of the United States. He is also well known for his work in the civil rights movement\, the folk revival and so many other arenas. And it is important that we who knew Pete learn\, share\, carry on and pass along his music\, message and legacy to as many people as possible. I am passionate about being one of the many folk artists who will help make this happen. \nPete taught me to always know the first song or two you are going play at a concert. After that\, you should have a good feel for what the audience appreciates and you tailor the rest of your set to that. Whether the thread turns out to follow the chronology of Pete’s life\, trace the wisdom he collected over the years and embedded into his songs or the express values of community\, environment\, peace and justice he lived\, every concert is chock full of songs everyone can sing: old classics\, newer songs written late in his life\, songs others wrote that he popularized and songs I have written or revised under Pete’s tutelage. You’ll also hear some of the stories behind the songs as they were told to me by Pete.” \n 
URL:https://cafecarpe.com/event/spook-handy-remembering-pete-seeger/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20141106T200000
DTEND;TZID=America/Chicago:20141106T223000
DTSTAMP:20260808T162933
CREATED:20140910T234308Z
LAST-MODIFIED:20141029T213833Z
UID:2262-1415304000-1415313000@cafecarpe.com
SUMMARY:DAYNA KURTZ
DESCRIPTION:DAYNA may amaze you as she has others. \n“From Ray Charles and Tom Waits to Nina Simone and Prince\, the Brooklyn-born singer and songwriter finds inspiration in almost every type of genre. Kurtz’s own music is hard to categorize\, and her rich and smoky alto can easily switch from a sensual croon to a blues howl.”  \nOver the past decade\, the New Jersey born (turns out she wasn’t Brooklyn born)\, now New Orleans resident vocalist/ writer/ musician/ producer has been bestowed with many awards and praises\, including being named the Female Songwriter of the Year by the National Academy of Songwriters. Norah Jones and Bonnie Raitt have raved about her in interviews\, and she’s performed on such high-profile radio shows as World Cafe\, Mountain Stage and NPR’s Morning Edition and Tell Me More. \nShe’s toured with the likes of Elvis Costello\, Richard Thompson\, Mavis Staples\, Rufus Wainwright\, B.B. King\, Dr. John\, Richie Havens\, Keren Ann\, Chris Whitley\, and the Blind Boys of Alabama. \nShe’s still building an audience at home\, but Kurtz has already gained widespread acclaim from fans and critics in Europe with her 2002 debut\, Postcards from Downtown — a top seller in Holland. \nDo not get Bill or Paul Cebar started about the wonders of Dayna’s talent unless you have a lot of spare time.
URL:https://cafecarpe.com/event/dayna-kurtz/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20141107T203000
DTEND;TZID=America/Chicago:20141107T230000
DTSTAMP:20260808T162933
CREATED:20140908T172909Z
LAST-MODIFIED:20141029T141351Z
UID:2245-1415392200-1415401200@cafecarpe.com
SUMMARY:CLAUDIA RUSSELL & BRUCE KAPLAN with Katie Dahl
DESCRIPTION:CLAUDIA RUSSELL is an outstanding singer and songwriter who has shared stages with Dave Carter and Tracy Grammer\, Loudon Wainwright III\, Steve Forbert\, Tish Hinojosa\, Kris Kristoffersen\, Willie Nelson\, Darryl Purpose\, Peter Rowan\, Rosalie Sorrels and Bill Staines\, among many others. She is accompanied by husband BRUCE KAPLAN on mandolin. guitar and vocals. \nBesides writing evocative songs\, Claudia is known for her vocal talent. She is an expressive and versatile singer\, as at home on a soulful ballad as a Buddy Holly style romp. \nWith its memorable melodies and seductive soundscape\, her new album\, All Our Luck Is Changing\, elicits the classic era of ageless American music. Russell delivers a whimsical melting pot of traditional and contemporary styles\, from earnest folk to sweet jug band blues\, driven by her deft guitar work and a versatile\, expressive voice that tips the hat to artists as diverse as Dolly Parton\, Suzanne Vega and Aretha Franklin. Claudia paints her material with emotional depth\, looking forward and back at life with both childlike awe and the mature wisdom of a musician with four decades of music under her belt. \nWorking with three-time Grammy nominee producer Peter Case\, Claudia and her husband Bruce Kaplan (guitar\, mandolin) cut the majority of the record live with some of LA’s best musicians. Using just a few overdubs\, Case created a balance between the immediacy of a live record and the freedom to embellish that the studio experience inspires. \nThough they might not carry the trappings of the usual music industry formula for overnight success\, self-described ‘late bloomers’ Russell and Kaplan have refined their sound into an eclectic\, full-bodied tapestry of unplugged Americana. Giving themselves the time and space to come into their own as people and musicians has allowed for the creation of their definitive album. The duo have dealt themselves a winning hand. Indeed\, all you have to do is listen and you too will believe!  All Their Luck Is Changing! \nKATIE DAHL Wisconsin singer-songwriter Katie has performed her original songs everywhere from the dusty cliff country of Mali\, West Africa\, to the winding canals of southern France\, to the cedar forests of the American northwoods. The depth and power of Katie’s alto voice\, the literate candor of her original songs\, and the easy humor of her live performances have earned her numerous songwriting awards\, as well as the chance to share stages with such luminaries as Dar Williams\, Peter Mulvey\, Julie Gold\, and Cheryl Wheeler. Katie is also a playwright whose musical Victory Farm premiered to high acclaim in 2012 and has since been made into a live cast album.
URL:https://cafecarpe.com/event/claudia-russell/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20141108T190000
DTEND;TZID=America/Chicago:20141108T220000
DTSTAMP:20260808T162933
CREATED:20140918T180619Z
LAST-MODIFIED:20141029T212524Z
UID:2266-1415473200-1415484000@cafecarpe.com
SUMMARY:OPEN STAGE- note new times
DESCRIPTION:Note that the beginning and ending times of the open stage are changed.  Without the need for sound checks\, etc.\, required with traveling performers\, there is no compelling reason we could think of to not start and end these earlier.
URL:https://cafecarpe.com/event/open-stage-65/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20141113T190000
DTEND;TZID=America/Chicago:20141113T210000
DTSTAMP:20260808T162933
CREATED:20140910T182643Z
LAST-MODIFIED:20140910T182814Z
UID:2257-1415905200-1415912400@cafecarpe.com
SUMMARY:THE NEW PIONEERS
DESCRIPTION:This five piece bluegrass ball of fire featuring vocals\, banjo\, fiddle\, guitar\, bass and mandolin appears here regularly on the 2nd Thursday of the month. Its various members have been involved with traditional music locally\, regionally\, and nationally for many years. \nThe Pioneer’s lead singer and guitarist\, Jerry Wicentowski\, has been described by country music historian Bill Malone as “One of the finest singers in bluegrass music”. Jerry has also performed and recorded with such bluegrass greats as Tim O’Brien\, Andy Statman\, Byron Berline\, Tony Trischka and others. Mike Schmidt of Spring Green\, Wisconsin\, is the group’s banjo player. This former French horn player has been a Nashville session musician and member of the popular Wisconsin-based bluegrass bands\, Alive ‘n’ Pickin’ and the Piper Road Spring Band. He also performs occasionally with his wife Lori. Bruce King of Art Stevenson and High Water – also formerly of Alive ‘n’ Pickin’ – is on mandolin. Bruce and Mike are veterans of the Great Northern Bluegrass Festival in Mole Lake\, WI – performing there every year from 1977 to 1982. Fiddle player Paul Kienitz is a member in good standing of regional bluegrass favorites\, The Nob Hill Boys. Bass player John Jirak also has played banjo with various folks in the northeastern WI and Madison areas\, most notably with the Green Bay based Fox River Flyer. As a bass player\, he’s performed shows with the Chicago Bluegrass Band\, Miltown Ramblers\, Krause Family\, Old Cool\, Spare Time Bluegrass Band\, Bob Steeno and The Old Truck\, and Down From the Hills\, and currently Madison’s newest\, Kettle Moraine. \nLike them on Facebook.
URL:https://cafecarpe.com/event/new-pioneers-21/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20141114T203000
DTEND;TZID=America/Chicago:20141114T230000
DTSTAMP:20260808T162933
CREATED:20141019T181226Z
LAST-MODIFIED:20141112T043049Z
UID:2315-1415997000-1416006000@cafecarpe.com
SUMMARY:BILL CAMPLIN with JAMIE SHELDON
DESCRIPTION:Bill is looking forward to reuniting with old friend and bass player JAMIE SHELDON for this one night extravawhatsa? \nJamie is brilliant at many things\, bass playing just being one of them.  Brother to the infamous Paul Sheldon.
URL:https://cafecarpe.com/event/bill-camplin-with-jamie-sheldon/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20141115T200000
DTEND;TZID=America/Chicago:20141115T223000
DTSTAMP:20260808T162933
CREATED:20141002T180502Z
LAST-MODIFIED:20141112T035117Z
UID:2287-1416081600-1416090600@cafecarpe.com
SUMMARY:ROXANNE NEAT
DESCRIPTION:Roxanne was a regular at the Green Dragon Inn and the early Carpe\, but put her music on the back burner for a teaching career.  She put that on the back burner to retire.  She has a beautiful voice\, and performs traditional and contemporary folk music using it\, piano\, dulcimer and guitar.
URL:https://cafecarpe.com/event/roxanne-neat-3/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20141116T190000
DTEND;TZID=America/Chicago:20141116T213000
DTSTAMP:20260808T162933
CREATED:20141028T032628Z
LAST-MODIFIED:20141028T032816Z
UID:2330-1416164400-1416173400@cafecarpe.com
SUMMARY:CHANCE presents- "University of the Wilderness"  walk with John Muir
DESCRIPTION:“CHANCE” invites you to take a walk in the woods with the words of John Muir. A musical landscape surrounds you\, excites you to follow around the next bend\, and delivers you to a deep appreciation for one of our country’s most influential naturalists. Celebrate the man in this\, the centennial year of his passing.  Remember to call to reserve for this special event. \nThis from their website:\n“Composer/Performers CHERYL LEAH & ED WILLETT aka CHANCE) have been collaborating with actor/musician Thomas Clyde Mitchell since 1994. From ’94 to 2011 the three were an integral part of the summer music festival and touring company\, Lake Superior Big Top Chautauqua\, a company that specializes in the wedding of music\, history\, and theater. In their time with the festival they played pivotal roles in the production of 5 albums\, 3 PBS specials\, and over 300 performances. In 2011 they joined forces with bassist Jane Aleckson who immediately became the heart\, funk\, and soul of the group\, and with her in the engine room\, continue to blaze their own trail bringing an incredible breadth of musical insight and experience to their offering to John Muir. \nWith Muir’s own writings providing the unifying thread\, their transformative production embraces the long standing tradition of bringing the inspiration of the natural world to the concert hall. \nIn “University of the Wilderness”\, Muir’s words are celebrated\, reflected upon\, and reinforced by an accompanying score of nature-forged new music. The score is the creation of Leah and Willett and is deftly performed by the “Chance” quartet which is comprised of cello\, voice\, bass and percussion. They describe the show’s musical landscape as a place where contemporary\, classical\, and celtic music beautifully collide. \nActor Thomas Clyde Mitchell\, the production’s purveyor of Muir’s words\, takes us on a journey from Muir’s childhood in Scotland to his young life in Wisconsin and finally to his profound and influential experiences in the great Sierra Nevada Mountains. What is revealed are the undercurrents and influences that helped create one of the world’s great naturalists and forged his legacy that lives on in his Sierra Club\, and in his role in history as the father of our national park system. \nIn creating the program\, we kept as our guide the goal of reflecting the multi-dimensional nature of Muir\, his indomitable spirit\, his daring and adventurous nature\, the beauty and the humor of the man. We determined that we would do this in accordance with our own “off the trail” philosophy that has guided us throughout our careers and tell this story by means of the “road less traveled”. This is not a historical account\, but rather a performance that portrays a philosophical landscape aimed at inspiring all of us to revivify that part in ourselves that shares a kinship with Muir.\nWhen many of us read his works we feel that he is articulating (in a manner more beautiful than we can) the very love we feel for the natural world. He was and is a charismatic figure who inspires us to try as best we can to live up to his example. I know from experience that this show leaves the audience with a desire to rekindle their relationship with his words and to resume (or continue or begin for the first time) following in his footsteps. \n 
URL:https://cafecarpe.com/event/chance-presents-university-of-the-wilderness-walk-with-john-muir/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20141119T200000
DTEND;TZID=America/Chicago:20141119T223000
DTSTAMP:20260808T162933
CREATED:20140924T022832Z
LAST-MODIFIED:20140924T123751Z
UID:2271-1416427200-1416436200@cafecarpe.com
SUMMARY:ZOE MUTH & THE LOST HIGH ROLLERS
DESCRIPTION:ZOE MUTH \nStaffer Dennis had been playing her in the kitchen all the time\, and then we got the phone call asking if she could play here last fall. If you build it\, they will storm your kitchen.  Now she is back again. \nFirst making her name in the Pacific Northwest\, where she’s been called “Seattle’s Emmylou\,” and heralded as one of the best songwriters to come out of Washington State\, Muth has spent the last three years touring across the U.S. and Europe.  She now lives in Austin. \nWith a voice unadorned and almost conversational\, Muth makes the every day more clear and compelling: “I don’t want to die where the sleeping dogs lie\, and the silence is stronger than stone. If I have to wander\, through the lightning and the thunder\, must I always go alone?” she sings on “Somebody I Know”\, a standout duet featuring legendary Texas songwriter Bruce Robison. It’s an end of the world lament beckoning the listener to follow along: “We’ll haunt the hidden places\, like the embers in the afterglow.” \nWorld of Strangers\, her newest album\,  is slow building and spacious\, often dream-like and fearless in its demand of your time and attention. Muth has taken risks for the sake of the song\, asking the listener to let go of expectations. And while the album sometimes begs you to two-step and waltz\, more often than not\, what it wants is for you to turn up the volume\, turn the lights down low and just listen. \nPraise for 2012’s Old Gold: \n“Muth sings like a lost lamented Carter sister . . .Her decidedly un-Joplin-esque take on ‘Get It While You Can’ is an inspired highlight.”\n-Vintage Guitar Magazine \nPraise for 2012’s Starlight Hotel: \n“With a haunting voice that treads soul and country and can only be described as a cosmic americana\, Zoe Muth delivers songs that sound like vintage country classics.”\n– Twangville \n“We rarely talk about country music as being “soulful” or having “soul”\, but thank god Zoe Muth is here to change this…the gentle truth of her songwriting and the softness of her voice lend a weight to the music that gives Starlight Hotel\, a true feeling of soulfulness… an astonishingly good songwriter.”\n– No Depression \n“Muth has gifted the world with a collection of music that is straight no chaser . . .Just when you start to believe that they just don’t make ’em the way they used to\, Zoe Muth and the Lost High Rollers come along to restore your faith.”\n– Country Standard Time \n“It’s clear\, unforced passion\, “not for the jet set\, but the old Chevrolet set\,” that informs all of these songs\, along with a high\, pure voice that rises to Iris Dement and Patty Griffin territory…There isn’t a bad song on this album…honky-tonk comes so naturally to the young Muth\, along with a charming drawl…”\n– The Billings Gazette \n‘Starlight Hotel is one of those albums that you need if your first exposures to country music came from the static-y radio in the cab of your dad’s old pickup truck… essential listening.’\n– ninebullets.net
URL:https://cafecarpe.com/event/zoe-muth-the-lost-high-rollers-2/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20141120T193000
DTEND;TZID=America/Chicago:20141120T220000
DTSTAMP:20260808T162933
CREATED:20140910T183504Z
LAST-MODIFIED:20141105T011553Z
UID:2260-1416511800-1416520800@cafecarpe.com
SUMMARY:REBECCA LOEBE
DESCRIPTION:REBECCA LOEBE has appeared here as an opener for Ellis Paul\, and is returning for a solo show. She performs post-brontosaurus indie folk/crunk. \nRebecca is a young singer-songwriter who grew up in Atlanta and has done time in DC\, Boston and New York\, now making her home in Austin\, TX. She is known for her distinct voice\, well-crafted songs and ability to bring an audience to her journeys\, introducing them to the characters she meets and observations she makes as she travels. \nRebecca has toured non-stop since 2009\, averaging 150-200 shows per year as a headliner and as support for The Civil Wars\, Ellis Paul\, Mary Chapin Carpenter\, Nicki Bluhm and the Gramblers\, Matt the Electrician and others. Rebecca’s live performances have created a passionate fan base around the world. In 2014 she performed in 35 states of the US\, Canada\, Europe and Japan and was tapped by Goose Creek Records to record and produce 3 Nights Live and Rebecca Loebe Live\, her first official live concert releases. \nRebecca has won numerous awards for her songwriting\, including the prestigious Kerrville New Folk Award\, and has received recognition for her unique\, powerful voice. In 2011 she was a featured contestant on the first season of NBC’s “The Voice\,” winning a spot on Team Adam and an iTunes Top 10 single worldwide with her captivating re-imagination of Nirvana’s “Come As You Are.” Earlier this year she was ranked #9 on Alternate Root magazine’s annual listing of the 30 Best Female Singers in America. \n“The wit of Dar\, the bite of Ani\, and the beauty of Norah – it was a treat seeing you perform last night!”\n– ADAM KUCIK (WYEP Pittsburgh) \n“An absolutely stunning voice…” Atlanta Journal Constitution
URL:https://cafecarpe.com/event/rebecca-loebe/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20141121T203000
DTEND;TZID=America/Chicago:20141121T233000
DTSTAMP:20260808T162933
CREATED:20140910T182417Z
LAST-MODIFIED:20140910T183529Z
UID:2256-1416601800-1416612600@cafecarpe.com
SUMMARY:MICHAEL JOHNSON
DESCRIPTION:MICHAEL JOHNSON \nMichael Johnson has performed and lived more music and recorded more hits than you would imagine. \nHis voice immediately identifies him as the man who sings “Bluer Than Blue\,” “Give Me Wings\,” “That’s That\,” and other landmark songs. His music shows a diversity\, depth and heart that only come from years of dedication to a labor of love. \nWhen asked what he would have you know about himself\, Michael says: \n“Tell them that I love it.” He started playing at age thirteen and just never quit. Singing\, playing\, writing and recording are the only things he’s ever done and he loves it. \n“Tell them I play guitar.” He really plays guitar. He studied in Barcelona and he plays on all his records with a unique and distinctive style. His playing is an important part of his show. \n“I am a soloist at heart.” Michael often performs alone\, and he has elevated the art. He prefers the intimacy and spontaneity of a show that can change with the moment. \n“Tell them I’m a showman. I like to talk to people and I love to make them laugh. And\, of course\, I have to move them with the music. That’s the whole thing. Without that\, there is no reason to be on stage.” \nWhat one remembers of Michael is the texture of his voice\, the meaning of the lyric and the music of the guitar — singer\, song and sound. And the feeling of being at home with a friend. \nPlease call to reserve.
URL:https://cafecarpe.com/event/michael-johnson-2/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20141122T203000
DTEND;TZID=America/Chicago:20141122T230000
DTSTAMP:20260808T162933
CREATED:20141014T215031Z
LAST-MODIFIED:20141014T215031Z
UID:2306-1416688200-1416697200@cafecarpe.com
SUMMARY:BILL CAMPLIN & the Living Embers
DESCRIPTION:
URL:https://cafecarpe.com/event/bill-camplin-the-living-embers/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20141128T200000
DTEND;TZID=America/Chicago:20141128T223000
DTSTAMP:20260808T162933
CREATED:20141104T170207Z
LAST-MODIFIED:20141105T232837Z
UID:2337-1417204800-1417213800@cafecarpe.com
SUMMARY:MATTHEW FRANCIS ANDERSEN/ RYAN JOSEPH ANDERSON
DESCRIPTION:A few quick notes about MATTHEW FRANCIS ANDERSEN\n– 1st Place Winner\, American Songwriter Magazine 2012 Lyric Contest\n– Venues: Fitzgerald’s (with Steve Forbert\, Stacey Earle and Mark Stuart)\, Heartland Cafe (with Naomi Ashely)\, Elbo Room\, Uncommon Ground (with Sarah Holtschlag and Naomi Ashley).\n– Former northern Wisconsin musky/walleye guide! \nMatthew is a Chicago native\, but as a former walleye and musky fishing guide home has been as far as northern Wisconsin and Michigan’s Upper Peninsula. That’s where Andersen’s debut EP Blue Line takes you: from the local taverns and street lights\, to the boat landings and rivers deep within the northwoods. Matthew Francis Andersen’s writing shows you where this Midwesterner has been. Logging trucks and taxi cabs\, game wardens and bar patrons live inside these songs. \nRYAN JOSEPH ANDERSON \nNashville (by way of Chicago) troubadour Ryan Joseph Anderson paid his rock n’ roll dues as the bandleader for roots outfit Go Long Mule\, guitar slinger for garage-rockers Rambos\, and as a producer\, sessions man\, and touring musician for a variety of artists. His influences as a songwriter range from country blues to psychedelic folk. His debut LP\, The Weaver’s Broom and exclusive videos can be checked out on his website.
URL:https://cafecarpe.com/event/matthew-francis-andersen/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20141129T200000
DTEND;TZID=America/Chicago:20141129T230000
DTSTAMP:20260808T162933
CREATED:20140910T184212Z
LAST-MODIFIED:20141126T195454Z
UID:2261-1417291200-1417302000@cafecarpe.com
SUMMARY:OPEN STAGE- (HAYWARD WILLIAMS- NOT! In Australia!)
DESCRIPTION:Well\, this is embarrassing.  Hayward had contacted us about this date a long time ago\, but we just learned that he is on tour in Australia.  Don’t think he can make it for this gig.  Hope we can get the word out… \nHAYWARD WILLIAMS will be celebrating the release of his new CD The Reef\, produced by Jeffrey Foucault.  You want to be there. \nA narrative about the record: \nHayward Williams thought he was about to die in an airport. Returning home from an Australian tour\, the American singer and songwriter was tired and gaunt. As he fought his way through the terminal in San Francisco\, it seemed as though he might miss his connection home to the Midwest\, and then something started to feel very wrong. “My heart was racing\, and I was feeling nauseated and dizzy\, like I was going to pass out\,” Williams recalls. Later\, as he sat in the emergency room with an IV in his arm\, the doctors delivered their diagnosis: “Exhaustion.” What really happened to Williams will come as no surprise to anyone who’s ever had an honest to god\, clinical panic attack. What brought it on may have been nothing unusual. “I was getting married in 20 days\, and that’s a big life change. I began to realize that I was going to have to grow up\, maybe”. \nYet something both mental and physical changed within Williams at that airport. Panic metastasized into fear of panic – the self perpetuating terror that he might\, at any moment\, collapse in terror for no good reason. It crippled his stage show. “I would have to isolate myself before a show\, spend most of my time trying to hold back catastrophic thoughts”. To avoid vomiting on stage\, he started playing all his songs tuned down and at half speed\, so as not to tense his diaphragm. He recalls\, “If this is how I am now\, how can I continue to do my job\, the only thing I’m qualified to do?” He entered therapy and started a course anxiety and depression medications. They eased the panic\, but altered his creative personality\, and left the question: who are you when you’re no longer able to be your native self? \nThe slow\, doubt-stricken\, but steady process of learning how to think\, feel\, write and perform again is the backdrop of THE REEF\, Williams’ first new album since that day in the airport. “I could count back from zero / I could take off from the start / Is it just like falling in love? / Will I know my part?” he sings in the haunting title track. Other songs explore his long history with anxiety. “‘High Street’ is about how I hate being at parties and around a lot of people”\, he says of the album’s ironically raucous opener: “You know me\, I’m at your feet / Put that foot toward the door”. “It’s about how I always try to convince Kathleen [Williams’s wife] that we should leave early”. The next track takes Williams into even more vulnerable territory. “‘If I Go Under’ is a call home more or less\, saying\, ‘This is me\, this is how I’m feeling.’ I felt like I was going to drag her down with me\,” he says. The plaintive refrain asks: “If I go under\, will you go under with me?” Fans of Williams’ soulful voice won’t be surprised to hear him finally inhabiting straight-up soul territory in the new songs and arrangements\, complete with layered horn sections and call-and-response backing vocals from the sibling duo of Matt and Kate Lorenz (Rusty Belle). \nRecorded live to tape in a whirlwind two days of sessions at Sonelab Studios in western Massachusetts\, THE REEF blends a Van Morrison-esque R&B with the loose energy and charm of The Faces\, all underlined by rock-solid grooves. Produced by critically acclaimed songwriter and veteran of the Americana circuit Jeffrey Foucault\, and featuring Billy Conway (Morphine) on drums and Jeremy Moses Curtis (Booker T) on bass\, with Williams\, Foucault and the Lorenz siblings sharing the singing\, THE REEF is built not around leads but around the interaction of voices with rhythm and texture. “We didn’t want a lead guitar”\, Williams says. “We thought we could add one later if we really needed it. But then we realized that Matt and Kate’s voices were the lead instrument\, the thing the held each song together\, and that was more exciting”. Live-tracked in one room\, with each song captured in the course of only a few takes\, THE REEF pulses with an electricity of feeling\, an authenticity of moment vanishingly rare in contemporary recording. At center is the naked vulnerability in every weathered crack of Williams’ voice\, cast out on the reef\, calling out.
URL:https://cafecarpe.com/event/hayward-williams-4/
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