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DTSTART;TZID=America/Chicago:20181124T203000
DTEND;TZID=America/Chicago:20181124T230000
DTSTAMP:20260406T182717
CREATED:20180604T025149Z
LAST-MODIFIED:20180910T164035Z
UID:3978-1543091400-1543100400@cafecarpe.com
SUMMARY:THE HOME FIRES
DESCRIPTION:THE HOME FIRES is an Americana duo based in Minneapolis comprised of critically acclaimed singer/songwriters\, SARAH MORRIS and VICKY EMERSON. Sarah and Vicky are established touring artists and after developing a close friendship and playing live shows together\, they unearthed a gorgeous new sound featuring Sarah’s clear\, melodic voice and Vicky’s warm\, weathered harmony. They are excited to return to Cafe Carpe with their guitars\, harmonies and a healthy dose of sass! \nNO DEPRESSION: “From its wonderful title\, understated cover\, tight focus\, and great songs\, Vicky Emerson’s third album Wake Me When The Wind Dies Down is an all-encompassing musical experience. Forget genre considerations and labels. These are simply great songs. 9 out of 10\nstars.” \nMUSIC EXISTENCE: “…Wake Me When the Wind Dies Down is one of the year’s best Americana releases.” \nThey are currently working on a debut album as The Home Fires which is scheduled to be released on in the spring of 2019. \nPlease call 920-563-9391 to reserve.
URL:https://cafecarpe.com/event/home-fires/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20181123T203000
DTEND;TZID=America/Chicago:20181123T230000
DTSTAMP:20260406T182717
CREATED:20180604T024623Z
LAST-MODIFIED:20180910T000553Z
UID:3976-1543005000-1543014000@cafecarpe.com
SUMMARY:HAYWARD WILLIAMS
DESCRIPTION:Tradition says Hayward must play here the day after Thanksgiving\, and who are we to define a wonderful tradition? \nHAYWARD WILLIAMS is a veteran singer/songwriter from Milwaukee\, WI. With six full length records under his belt\, Williams is set to release his latest effort: Pretenders.  This record is yet another swan dive into the deep end of the Americana/Soul world that Hayward tends to reside in. \nGrowing up in Wisconsin in the 80’s and 90’s convinced Hayward Williams to search for something more out there in the world. Foregoing higher education\, he joined a band and learned much about what to do and what not to do in the Midwest music scene. Playing in pubs for many years \, getting thick skin and finding a notably sharp tongue\, avenues opened up to Williams. Headlining European tours\, major US festivals and a few trips to Australia later\, Hayward has carved out an impressive niche in the folk music business. \nWilliams’ previous release\, The Reef\, was produced by venerated songwriter\, friend and collaborator Jeffrey Foucault. Utilizing an impressive rhythm section of Billy Conway (Morphine) on drums and Jeremy Moses Curtis (Booker T\, Levon Helm\, Session Americana) on bass\, The Reef is an unequaled Americana record with soaring vocals and hooks that dig in deep. \n“The surprisingly soulful voice of Milwaukee-based singer/songwriter Hayward Williams emanates from a slight\, almost unassuming figure\, yet that voice is imbued with so much power\, it’s difficult to imagine it coming from anywhere other than midway between Memphis and Muscle Shoals… The Reef is an album to return to again and again.” – Allan Wilkinson\, Northern Sky Magazine (UK) \nPretenders was recorded in October of 2016 at Midwest Sound in Rockford\, IL under a full moon and the care of Dan McMahon and Jeremy Koester. Hayward and J. Hardin would co-produced the album. Charles Koltak\, who played drums on Williams’ Haymaker (2012) teamed up with Jeremy Moses Curtis in the rhythm section. Corey Matthew Hart of Madison\, WI (Lost Lakes) would lend his talented voice and guitar work to the project during one late night session. Finally\, Brooks Milgate would send his B3 performances in remotely from the east coast adding a layer to the project that would fit in with any Al Green classic. \n“Often dark\, always honest and in the groove\, Williams continues to break new ground in new traditional folk rock. There’s a ghostly spirit that floats through the songs on “Pretenders.” Williams is a wary caretaker of those spirits. His songs brim with the smoke and mirror lyricism of Leonard Cohen—with the rocker’s heart of Neil Young.” -Andy Moore ISTHMUS (Madison\, WI \nPlease call 920-563-9391 to reserve.
URL:https://cafecarpe.com/event/hayward-williams-7/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20181117T203000
DTEND;TZID=America/Chicago:20181117T230000
DTSTAMP:20260406T182717
CREATED:20181026T020709Z
LAST-MODIFIED:20181026T202859Z
UID:4281-1542486600-1542495600@cafecarpe.com
SUMMARY:KELLSWATER BRIDGE
DESCRIPTION:KELLSWATER BRIDGE is a modern Celtic Band dedicated to showcasing the traditional music of Ireland\, Scotland\, and Wales. \nThe band is comprised of MARE EDSTROM\, lead vocals\, Celtic Flute\, Keyboards\, and Bodhran\, KENN FOX\, Guitar and Bouzouki\, and DAVE KARNES\, Guitar and Bouzouki. \nKellswater Bridge has received positive reviews and extensive airplay on their first two recordings “Origin” [2015]\, and “As The Story Goes” [2017]. \nA third album is slated for release in Spring 2019. \nPlease call 920-563-9391 to reserve seats.
URL:https://cafecarpe.com/event/kellswater-bridge/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20181116T203000
DTEND;TZID=America/Chicago:20181116T230000
DTSTAMP:20260406T182717
CREATED:20180802T191642Z
LAST-MODIFIED:20180802T191706Z
UID:4130-1542400200-1542409200@cafecarpe.com
SUMMARY:JOHN PARROTT & TOM WASELCHUK Guitar Duo
DESCRIPTION:Bringing you vintage swing & country blues \nTom Waselchuk will be familiar to southern Wisconsin audiences from his work with his Americana band The Dang-Its (1998 to present) and Gypsy swing ensemble Harmonious Wail (2001-2011)\, with whom he toured the U.S. and abroad. He keeps up a busy schedule of solo and small ensemble performances including his newest collaborations with Mr. Parrott and with Chicago vocalist Jodi Jean Amble. Ms. Amble\, Mr. Waselchuk\, and another of Tom’s long-time guitar partners\, Doug Brown\, are currently performing as The Honey Pies. Tom’s guitar work demonstrates equal ease with a range of styles from jazz and pop to country and bluegrass. \nJohn Parrott is a rare species in the vast genus of acoustic guitarists. He plays the archtop rhythm guitar in a style that was common from the 1930s to the 1950s (think Count Basie\, Frank Sinatra\, and Bob Wills). For forty years he’s applied his skills\, sensibilities\, and adult chords to the field of String Jazz\, backing up such luminaries as John Hartford\, Vassar Clements\, and Steve Goodman. John is especially noted for his many years of laying down the swinging pulse for the great jazz mandolinists Jethro Burns and Don Stiernberg. John currently works and records with Milwaukee musicians Chris Hanson\, Robin Pluer and an assortment of jazz and swing artists. \nTogether they present a showcase of 20th century American music in a variety of genres with solidly swinging guitar artistry and more than acceptable vocals. \nPlease call 920-563-9391 to reserve.
URL:https://cafecarpe.com/event/john-parrott-tom-waselchuk-guitar-duo/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20181115T200000
DTEND;TZID=America/Chicago:20181115T223000
DTSTAMP:20260406T182717
CREATED:20181010T212657Z
LAST-MODIFIED:20181114T203439Z
UID:4230-1542312000-1542321000@cafecarpe.com
SUMMARY:RICHARD SHINDELL- SOLD OUT
DESCRIPTION:We will be selling tickets for this show on Brown Paper Tickets-click on the Buy tickets link:    \nOriginally from New York\, now dividing his time between Buenos Aires\, Argentina and New York’s Hudson Valley\, RICHARD SHINDELL is a writer whose songs paint pictures\, tell stories\, juxtapose ideas and images\, inhabit characters\, vividly evoking entire worlds along the way and expanding our sense of just what it is a song may be. From his first record\, Sparrow’s Point (1992) to his current release\, Careless (September 2016)\, Shindell has explored the possibilities offered by this most elastic and variable of cultural confections: the song. \nThe path that led him to songwriting was both circuitous and direct. Taking up the guitar at the age of eight\, he spent his formative years learning the instrument – first acoustic\, then electric. And he listened: Beatles\, Dylan\, Joni Mitchell\, Motown\, Bowie\, Hunter-Garcia\, King-Goffin\, Paul Simon\, Bill Monroe\, Rogers & Hammerstein. Their songs gave the impression of having always been there\, so solid and self-evident were their melodies\, hooks\, grooves\, and lyrics. Listening to WNEW or WLIR in 1970s NY felt like a kind of anamnesis. So it seemed completely out of the question to imagine that a song could be written – by anyone\, anywhere\, anytime\, about absolutely anything. If he sang\, it was just to sing along\, or harmonise to the hymns in church. \nOn the other hand\, a good song seemed like such a simple little thing. A voice in the back of his head kept whispering that surely it must be possible to write one. He would make his first attempts at it during college\, where he studied Philosophy. According to him\, these early songs were “abysmal: pointless\, self-indulgent drivel. It’s a wonder I ever allowed myself to try again.” \nAfter college and a nine month stint in a Zen Buddhist community in Upstate New York\, he headed to Europe with his guitar\, finding something not approaching a livelihood performing in the Paris Metro\, where his repertoire consisted of Fahey-tinged fingerpicking\, Blakian flatpicking and “endless droning along in open tunings.” Evincing an early inclination toward self-imposed commercial exile\, he sought out the less-travelled corners of the Metro. “I loved the acoustics in those tunnels\, but only when they were empty.” \nUpon running out of money\, and despite being an atheist\, he applied to and was accepted by Union Theological Seminary (NY)\, beginning his studies in 1986. Three years in an M.Div. program did nothing to cure him of his atheism\, however it did provide him (thanks to a friendly sexton) with late-night access to the neo-gothic expanses of Union’s St. James Chapel\, whose celestial acoustics inspired his first “keeper”: On a Sea of Fleur de Lis. Ostensibly a paean to the Virgin Mary\, the song marked his rupture from the church and the beginning of his creative life. Its underlying themes – immanence and transcendence\, human love and divine love\, the particular and the general – have continued to resonate through subsequent work\, right up to the present. In many ways\, his new album Careless\, though in no way a concept record\, represents a further exploration of those ideas. \nMore songs followed. He began frequenting a well-known songwriters circle on Houston Street in New York City. Hosted by the late Jack Hardy\, every Thursday night writers would gather to debut new songs\, give and receive constructive criticism\, take the songs back to the drawing board to try again the next week. It was a tough crowd\, but also a supportive one. And beyond the concrete benefit to one’s craft\, those gatherings offered the fledgling writer a sense of community\, and thus identity. He began to think of himself as a songwriter\, abandoning his theological studies. \nIt was right about then that Shanachie Records called with an offer for a three record deal. \nThat deal resulted in Sparrows Point (1992)\, Blue Divide (1994)\, and Reunion Hill (1997). The latter\, produced by multi-instrumentalist Larry Campbell (credits too numerous to mention here)\, won the AFIM (NAIRD) award for “Best Contemporary Folk Album” in 1998. Its title track was covered (along with two other of Shindell’s songs) by Joan Baez on her 1997 release\, Gone From Danger. In 1998\, Shindell joined forces with his friends Dar Williams and Lucy Kaplansky to make CryCryCry (Razor and Tie)\, a collection of covers by writers such as Robert Earl Keen\, Michael Stipe\, Ron Sexsmith\, Greg Brown\, Julie Miller\, and James Keelaghan. Over the course of two years\, the group toured in support of this highly acclaimed (and eponymously titled) album\, leaving audiences spellbound by their gorgeous three-part harmonies. \nBy then Shindell was beginning to stretch out as a harmony singer\, guitarist and performer. With each successive record he toured relentlessly\, building a solid following of loyal fans. He also became an adept bandleader\, as reflected in his 1999 release\, Courier (Signature Sounds)\, a live album\, recorded and mixed by Ben Wisch\, and featuring long-time cohorts Lincoln Schleifer\, John Putnam\, Dennis McDermott\, as well as Lucy Kaplansky and Larry Campbell. \nThe year 2000 brought the release of a new collection of originals\, one of Shindell’s most popular albums\, Somewhere Near Paterson (Signature Sounds)\, produced by Campbell. That year also saw a major life-change: with his Argentine wife and their two small children\, Shindell moved to Buenos Aires\, Argentina. Taking a few years to get acclimated and learn the language\, in 2004 he followed up with Vuelta (Koch Records)\, joining with Puente Celeste\, an eclectic and much beloved group of virtuoso Argentine musicians. The decade’s next was release was a collection of covers\, South of Delia (2007)\, Shindell’s first foray into production. More than simply a cover record\, the song-selections and performances of South of Delia were that of an expatriate looking back at the country and culture he moved away from\, and featured guest appearances by artists such as Viktor Krauss\, Richard Thompson\, Tony Trischka\, and Eliza Gilkyson. His next collection of original songs\, Not Far Now\, was released by Signature Sounds in 2009. For 13 Songs You May or May Not Have Heard Before\, which The Telegraph (UK) called “a stunningly good record”\, Shindell revisited some of his earlier material\, giving fresh interpretations to old favourites. \nIn 2015 he joined forces again with Lucy Kaplansky to record another collection of covers\, Tomorrow You’re Going (Signature Sounds)\, also produced by Larry Campbell. Consisting mostly of love songs\, or love lost songs\, it provided Shindell and Kaplansky an occasion to revel in their distinctive\, two-part harmony with the backing of a top-notch band (Byron Isaacs\, Dennis McDermott\, Bill Payne\, and Campbell) – all thanks to the participation of a committed community of fans who financed the project via the crowdfunding platform Kickstarter. The campaign more than doubled its funding goal in less than 48 hours. \nShindell continues to tour nationally in the United States\, with the occasional forays into Canada\, the UK\, and Europe. Although known primarily as songwriter\, Shindell takes a more holistic view of his career. Producer\, writer\, singer\, guitarist\, interpreter: it all adds up to a life in music.
URL:https://cafecarpe.com/event/richard-shindell-2/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20181114T200000
DTEND;TZID=America/Chicago:20181114T223000
DTSTAMP:20260406T182717
CREATED:20181016T151348Z
LAST-MODIFIED:20181104T230715Z
UID:4248-1542225600-1542234600@cafecarpe.com
SUMMARY:ANNA STINE & ROBERT BELL
DESCRIPTION:Please call 920-563-9391 to reserve seats. \nANNA STINE is an indie singer-songwriter\, ROBERT BELL is a jazz guitarist and producer. The duo began working together in 2018 on Anna’s debut recording. \nAnna Stine is an indie folk artist creating music that ponders the trials and triumphs that make us most human. Her lyrics and melodies are driven by a soulful authenticity that invites audiences to connect to their own stories. \nAnna harmoniously blends together her love of honest folk songs and haunting jazz melodies\, while drawing upon the influence of powerful female artists such as Billie Holiday\, Bonnie Raitt\, Norah  Jones and Laura Marling. Anna’s experiences as a music therapist have given her a unique understanding of the ways that music can enrapture and transform us\, and she seeks to manifest this through her intentional  presence and performance. In her debut album “Company of Now” Anna delves into the delicate dance of being present in the midst of growth and discomfort. Through songs that speak to both suffering and self- acceptance\, she encourages listeners to stand tall\, breathe easy\, and step from the ground they’re standing on. \nGuitarist Robert Bell is a multi-genre performer specializing in early  jazz. He was born in Milwaukee\, but after relocating to Minneapolis\, MN  he became a key player in the diverse music scene. His guitar work\,  arrangements and producing include features on Minnesota Public Radio\, National Public Radio\, American Public Media and Garrison Keillor’s A  Prairie Home Companion. Robert has performed alongside authors Barbara  Kingsolver and Django Reinhardt biographer\, Michael Dregni. Festival performances include the Portland Blues Festival\, Twin Cities Jazz  Festival\, Washington D.C. Lindy Exchange\, Midwest Gypsy Fest\, Jazz at  Five and Minnesota Sur Seine Jazz Festival with French Gypsy guitar legend Dorado Schmitt. \nRobert has been a featured soloist with the North Carolina Symphony\, Fort Smith Symphony and the Dallas Fort Worth Symphony performing the music of Django Reinhardt. Theater performances include national tours with Troupe America’s A Closer Walk With Patsy  Cline and Minnesota Festival Theater’s Always Patsy Cline. His solo recording Gypsy Tendercies currently receives airplay in the United  States and France. Mr. Bell maintains a two hundred sixty show per year performance schedule. \nPlease call 920-563-9391 to reserve seats.
URL:https://cafecarpe.com/event/anna-stine-robert-bell/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20181110T203000
DTEND;TZID=America/Chicago:20181110T230000
DTSTAMP:20260406T182717
CREATED:20181026T204947Z
LAST-MODIFIED:20181026T204947Z
UID:4306-1541881800-1541890800@cafecarpe.com
SUMMARY:LONESOME BILL CAMPLIN
DESCRIPTION:
URL:https://cafecarpe.com/event/lonesome-bill-camplin-19/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20181108T190000
DTEND;TZID=America/Chicago:20181108T210000
DTSTAMP:20260406T182717
CREATED:20181004T044221Z
LAST-MODIFIED:20181004T044221Z
UID:4224-1541703600-1541710800@cafecarpe.com
SUMMARY:NEW PIONEERS
DESCRIPTION:This five piece bluegrass ball of fire featuring vocals\, banjo\, fiddle\, guitar\, bass and mandolin appears here mostly regularly on the 2nd Thursday of the month- except when they don’t\, like this time\, which is the 1st Thursday. Its various members have been involved with traditional music locally\, regionally\, and nationally for many years. \nThe Pioneer’s lead singer and guitarist\, Jerry Wicentowski\, has been described by country music historian Bill Malone as “One of the finest singers in bluegrass music”. Jerry has also performed and recorded with such bluegrass greats as Tim O’Brien\, Andy Statman\, Byron Berline\, Tony Trischka and others. Mike Schmidt of Spring Green\, Wisconsin\, is the group’s banjo player. This former French horn player has been a Nashville session musician and member of the popular Wisconsin-based bluegrass bands\, Alive ‘n’ Pickin’ and the Piper Road Spring Band. He also performs occasionally with his wife Lori. Bruce King of Art Stevenson and High Water – also formerly of Alive ‘n’ Pickin’ – is on mandolin. Bruce and Mike are veterans of the Great Northern Bluegrass Festival in Mole Lake\, WI – performing there every year from 1977 to 1982. Fiddle player Paul Kienitz is a member in good standing of regional bluegrass favorites\, The Nob Hill Boys. Bass player John Jirak also has played banjo with various folks in the northeastern WI and Madison areas\, most notably with the Green Bay based Fox River Flyer. As a bass player\, he’s performed shows with the Chicago Bluegrass Band\, Miltown Ramblers\, Krause Family\, Old Cool\, Spare Time Bluegrass Band\, Bob Steeno and The Old Truck\, and Down From the Hills\, and currently Madison’s newest\, Kettle Moraine. \nLike them on Facebook.
URL:https://cafecarpe.com/event/new-pioneers-51/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20181103T203000
DTEND;TZID=America/Chicago:20181103T230000
DTSTAMP:20260406T182717
CREATED:20181016T144841Z
LAST-MODIFIED:20181016T184036Z
UID:4246-1541277000-1541286000@cafecarpe.com
SUMMARY:RIDGEWAY STUDIO ENSEMBLE
DESCRIPTION:Please call 920-563-9391 to reserve seats. \nThe sound of the vibes: nostalgia tinged\, meditative\, romantic\, haunting\, and yet capable of scintillating percussive crescendos! Pair it with lush\, yet laconic guitar comping and underpinning it with a powerful\, melodic bass line and you have the RIDGEWAY STUDIO ENSEMBLE. This instrumental trio has left the studio and has been exciting audiences around Chicago in the last year with performances of iconic standards from the Great American Song Book \, Tin-Pan Alley\, familiar Latin jazz tunes\, and punctuated with Bebop and Modern Jazz excursions\, plus original compositions. \nThe Ensemble aggregates 150 years of musical performing experience\, with Bob Fahlstrom (Vibes\, Piano)\, Matt Levinson (Guitar) and Bob Becker (Bass & Guitar) who have been working and jamming in the Chicago area for 5 decades. \nBob Fahlstrom studied percussion with Ed Poremba (Lyric Opera Orchestra) at Roosevelt University\, and harmony and theory with Jack Hubal\, the great Chicago bebop pianist and teacher\, who convinced him to buy a vibraphone. In the late 1970’s Bob began his Jazz performance career playing drums and vibes with Chicago area jazz artists such as bassist Steve Hashimoto\, tenor Saxophonist Mike Finnerty\, guitarists Akio Sasajima and David Cherry\, as well as jazz groups led by pianist Jack Hubal. He can be seen on YouTube videos of the “Jack Hubal Jazz Show” playing drums and vibes. \nMatt Levinson has played guitar for over five decades\, and studied with the late\, great Chicago jazz guitarist Frank Dawson. He has performed with a wide range of big bands around Chicago\, including Wendell Brenner’s Sidemen\, the Highland Park Jazz Band\, and John McGahan’s Stardust Big Band and Jazz Sextet. From 2005-2016 he co-led a pro-am jazz jam every Sunday night at Big Joe’s Bar in Chicago\, where he and Bob Fahlstrom met. Since 2015 they have developed a repertoire along with Bob Becker (Bass) culminating in the Ridgeway Studio Ensemble. \nBob Becker has been preforming on jazz guitar\, classical guitar\, electric bass\, and string bass for over five decades. He toured as jazz guitar soloist with the Manhattan Pops Orchestra under the direction of Richard Hayman and was the guitarist in backup bands for Roy Clark and Tennessee Ernie Ford. Bob has also performed shows with the Four Lads\, the Ink Spots\, the Harmonicats\, and Chicago’s own Jimmy Damon. He has played classical guitar for the Lyric Opera of Chicago\, Chicago Opera Theater\, and the Royal Danish Ballet. Bob was on the faculty of the Chicago Musical College for eleven years where he developed the curriculum for jazz guitar and electric bass. Bob has performed as a freelance musician\, working in the Chicago area “doing it all” – wedding parties and ceremonies\, industrial shows\, and jazz gigs. He performs as a soloist\, and in ensembles ranging from duos to big bands. \nFollowing their well-received duet performance at a Café Carpe open-mic Saturday a few years ago\, they are returning with a highly polished trio. Come out and hear the collective sounds of 3 souls who have dedicated the largest part of their lives to jazz and want to share the joy! \nPlease call 920-563-9391 to reserve seats.
URL:https://cafecarpe.com/event/ridgeway-studio-ensemble/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20181102T203000
DTEND;TZID=America/Chicago:20181102T230000
DTSTAMP:20260406T182717
CREATED:20180909T235948Z
LAST-MODIFIED:20180910T000140Z
UID:4173-1541190600-1541199600@cafecarpe.com
SUMMARY:SMALL POTATOES
DESCRIPTION:The Chicago based folk duo of Jacquie Manning and Rich Prezioso say it has taken them years of careful indecision to develop a repertoire they describe as “Celtic to Cowboy.” Superb musicianship and showmanship\, award-winning songwriting\, and a strong sense of tradition has made them\, as Dirty Linen Magazine once said\, “one of the most polished\, inventive\, and entertaining shows on the circuit.” \n“make ‘em laugh\, make ‘em cry\, make ‘em think” \nFrom the start\, they’ve called themselves eclecto-maniacs and described their music as “Celtic to Cowboy”. They say it has taken them “years of careful indecision” to come up with a mix of music that ranges from country\, blues\, and swing to Irish\, with songwriting that touches on all of those styles and more. Their four recordings\, Alive!\, Waltz of the Wallflowers\, Time Flies and Raw demonstrate that “indecision” can be wonderfully entertaining. They both sing\, they both play guitars and an array of other instruments. They even yodel. \n“Jacquie Manning and Rich Prezioso combine cleverly witty with powerfully poignant songs\, along with well chosen covers to present an unusually entertaining and involving repertoire engagingly delivered. Prezioso’s song “1000 Candles\, 1000 Cranes” is one of the most outstanding songs of the past 50 years.” Rich Warren\, The Midnight Special – WFMT Radio\, Chicago\, IL \n“They don’t sound like anybody else. I like that. They lay out a blanket and every song is a picnic.”  Warren Nelson\, Big Top Chautauqua/WI Public Radio\, Bayfield\, WI \n“I’ve never been so fascinated by a singing duo. They’re original\, funny\, energetic\, profound\, always respectful of the music but always daring to try new things. When they get their hands on music\, rhythmically and harmonically\, it just takes off. The audience here loves them. It’s a stand-up-and-shout kind of love.” Phee Sherline San Diego Folk Heritage Society\, San Diego\, CA \nPlease call 920-563-9391 to reserve.
URL:https://cafecarpe.com/event/small-potatoes-6/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20181027T203000
DTEND;TZID=America/Chicago:20181027T230000
DTSTAMP:20260406T182717
CREATED:20180911T003202Z
LAST-MODIFIED:20181016T181929Z
UID:4189-1540672200-1540681200@cafecarpe.com
SUMMARY:BILL CAMPLIN and the GHOULISH FIGURES
DESCRIPTION:Bill made a little bill-boo. This was scheduled for October 20th\, until he realized he had written down the wrong date for a gig elsewhere\, the correct date being October 20th.  So now they are playing on the 27th.
URL:https://cafecarpe.com/event/bill-camplin-lonesome-or-social/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20181026T190000
DTEND;TZID=America/Chicago:20181026T220000
DTSTAMP:20260406T182717
CREATED:20181023T144231Z
LAST-MODIFIED:20181023T144604Z
UID:4265-1540580400-1540591200@cafecarpe.com
SUMMARY:OPEN STAGE
DESCRIPTION:Share your talents in a  2-3 song rotation with others.  Be prepared to play acoustically\, as a sound man is not part of the deal.
URL:https://cafecarpe.com/event/open-stage-103/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20181025T183000
DTEND;TZID=America/Chicago:20181025T210000
DTSTAMP:20260406T182717
CREATED:20180117T010637Z
LAST-MODIFIED:20180924T213222Z
UID:3586-1540492200-1540501200@cafecarpe.com
SUMMARY:SONG CIRCLE w/ TRICIA ALEXANDER
DESCRIPTION:Round robin song circle led by TRICIA ALEXANDER– (performer\, poet\, healer\, “with a voice\, music and lyrics that resonate the heart”) done informally\, not from the stage\, no microphones. This is a lovely gathering of singers\, songwriters\, musicians and music appreciators\, poets\, and storytellers held regularly on the last Thursday of each month (except sometimes). \nTraditional Round Robin protocol applies – everyone is part of the circle and has an opportunity to: play\, pass or request a song from someone in particular or from anyone in the circle. \nEveryone is welcome to attend. $5 cover for musicians and audience. Come early and have a bite to eat-
URL:https://cafecarpe.com/event/song-circle-w-tricia-alexander-27/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20181020T193000
DTEND;TZID=America/Chicago:20181020T220000
DTSTAMP:20260406T182717
CREATED:20181016T143635Z
LAST-MODIFIED:20181016T143755Z
UID:4243-1540063800-1540072800@cafecarpe.com
SUMMARY:OPEN STAGE
DESCRIPTION:Share your talent in a 2-3 song rotation with others.
URL:https://cafecarpe.com/event/open-stage-102/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20181019T180000
DTEND;TZID=America/Chicago:20181019T193000
DTSTAMP:20260406T182717
CREATED:20181010T211326Z
LAST-MODIFIED:20181010T211326Z
UID:4234-1539972000-1539977400@cafecarpe.com
SUMMARY:FRIENDS OF LORINE NIEDECKER POETRY OPEN MIKE
DESCRIPTION:FRIENDS OF LORINE NIEDECKER
URL:https://cafecarpe.com/event/friends-of-lorine-niedecker-poetry-open-mike/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20181018T193000
DTEND;TZID=America/Chicago:20181018T220000
DTSTAMP:20260406T182717
CREATED:20180604T024530Z
LAST-MODIFIED:20180924T212931Z
UID:3974-1539891000-1539900000@cafecarpe.com
SUMMARY:BROOKS WILLIAMS/ Rose Martin
DESCRIPTION:This is Brooks’ first appearance here in a bizillion years.  He lives across the pond now\, so take this rare opportunity to hear him. \nAt the crossroads of blues and American roots music you’ll find BROOKS WILLIAMS. “Setting new standards and a fresh direction for the blues\,” says Blues In Britain\, and creating a “beautiful fusion” (Keys And Chords). Just when you think he can’t sing a blues-ier note\, he sings it. Just when you think he can’t strum a deeper groove\, he strums it. \nBrooks Williams was born in Statesboro\, Georgia\, USA (the town made famous by the classic song Statesboro Blues)\, and did his apprenticeship in the small bars and coffeehouses of New York and Boston\, following in the footsteps of Chris Smither\, Rory Block\, Shawn Colvin\, Maria Muldaur\, David Bromberg and Leo Kottke\, all whom he gigged with from time-to-time when he was starting out. \nWilliams performs hundreds of solo and band shows throughout Europe\, North America and the UK each year and regularly collaborates with an impressive list of fellow musicians\, including Hans Theessink\, Guy Davis\, Sally Barker\, Boo Hewerdine\, Paul Jones\, and Rab Noakes. \nRanked in the Top 100 Acoustic Guitarists\, he’s a mean finger-picker and a stunning slide guitarist. Plus\, “he has a beautiful voice\,” says AmericanaUK\, “that you just melt into.” That voice earned Brooks a nomination for Best Male Vocalist by Spiral Earth\, one of the UK’s most respected roots music publications. \nHe’s no slouch as a songwriter\, and has an impeccable ear for a good cover. “Williams’ original songs are typically sophisticated musically\, and yet sound immediately familiar – a sign of a skilled songwriter”\, writes Down At The Crossroads.  His massive repertoire spans classic roots and blues. Check out his version of Dave Alvin’s “King Of California” and follow it with Williams’ instant classic\, “Gambling Man.” \nBrooks Williams has played all the major stages\, like The Birchmere in Virginia\, The Guthrie Center in Massachusetts\, The Tolbooth in Scotland\, The Liverpool Philharmonic Hall in England\, Meneer Frits in The Netherlands\, Harvest Blues in Ireland\, The Avalon Theater in Maryland\, JazzLand in Austria\, The Stables in England\, and Blues Au Chateau in France. And he gets invited back. \nHe’s played the Fairport Cropredy Festival\, Newport Folk Festival\, Kerrville Folk Festival\, Costa del Folk\, Shrewsbury Festival\, Celtic Connections and the Glastonbury Festival. \nHe’s recorded for labels as diverse as Signature Sounds\, Green Linnet Records\, Reveal Records\, Solid Air Records\, as well as his own Red Guitar Blue Music. He’s learned the studio trade first-hand working with roots music producers like Colin Linden (Blackie And The Rodeo Kings\, Bruce Cockburn) in Toronto and Phil Madeira (Buddy and Julie Miller\, Emmylou Harris) in Nashville. \nPraised by Blues Matters\, fRoots\, Rolling Stone\, the Boston Globe and Mojo\, Williams is at the top of his game. His tour schedule has never been busier. He writes and records at an astonishing pace. He loves it\, and that love exudes from every note. \n“Stirring up soulful Americana\, full-on blues and tasty rootsy grooves\, he really rocks.” (fRoots) \n“Talent\, taste and astonishing technique.” (Blues Revue) \n“We called him back for three encores!” (Blues In Britain) \n“He’s a lovely player\, a lovely singer\, and a great writer. The real thing.” (Martin Simpson) \n“A fret monster who has to be seen to be believed!” (San Antonio Light) \nOpener Cape Cod (with a strong local connection) singer/songwriter Rose Martin performs original and cover songs on acoustic guitar with her rich vocals and a soulful bluesy style. \nPlease call 920-563-9391 to reserve.
URL:https://cafecarpe.com/event/brooks-williams/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20181013T200000
DTEND;TZID=America/Chicago:20181013T223000
DTSTAMP:20260406T182717
CREATED:20180802T191420Z
LAST-MODIFIED:20180911T003030Z
UID:4127-1539460800-1539469800@cafecarpe.com
SUMMARY:ROXANNE NEAT
DESCRIPTION:Since 1974\, ROXANNE has performed traditional and contemporary folk music and ballads\, drawing from Appalachian\, Scottish\, Irish and English traditions. She also performs original songs and those of her favorite singer-songwriters. \nShe complements her beautiful clear singing voice with guitar\, piano\, spoons\, and bones. \nOne of the first performers to be featured on Wisconsin Public Radio’s “Simply Folk” program\, Roxanne was also a “pioneer” Artist-in-Residence for the Wisconsin Arts Board\, teaching folk traditions to hundreds of children in K-12 classrooms. \nRoxanne was a regular at the Green Dragon Inn and the early Carpe\, but put her music on the back burner for a teaching career. She put that on the back burner to retire. She released a wonderful new CD in 2016. \nPlease call 920-563-9391 to reserve.
URL:https://cafecarpe.com/event/roxanne-neat-4/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20181012T170000
DTEND;TZID=America/Chicago:20181012T230000
DTSTAMP:20260406T182717
CREATED:20180604T024339Z
LAST-MODIFIED:20180918T212725Z
UID:3972-1539363600-1539385200@cafecarpe.com
SUMMARY:FORT CLASS OF '78 REUNION- closed to public
DESCRIPTION:The class of 1978 will hold their reunion here. \nWe will be closed to the public. Apologies for any inconvenience\, but they tell me you wouldn’t want to be here amongst them anyway.
URL:https://cafecarpe.com/event/fort-class-of-78-reunion/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20181011T190000
DTEND;TZID=America/Chicago:20181011T210000
DTSTAMP:20260406T182717
CREATED:20180910T230026Z
LAST-MODIFIED:20180910T230138Z
UID:4186-1539284400-1539291600@cafecarpe.com
SUMMARY:NEW PIONEERS
DESCRIPTION:This five piece bluegrass ball of fire featuring vocals\, banjo\, fiddle\, guitar\, bass and mandolin appears here mostly regularly on the 2nd Thursday of the month- except when they don’t\, like this time\, which is the 1st Thursday. Its various members have been involved with traditional music locally\, regionally\, and nationally for many years. \nThe Pioneer’s lead singer and guitarist\, Jerry Wicentowski\, has been described by country music historian Bill Malone as “One of the finest singers in bluegrass music”. Jerry has also performed and recorded with such bluegrass greats as Tim O’Brien\, Andy Statman\, Byron Berline\, Tony Trischka and others. Mike Schmidt of Spring Green\, Wisconsin\, is the group’s banjo player. This former French horn player has been a Nashville session musician and member of the popular Wisconsin-based bluegrass bands\, Alive ‘n’ Pickin’ and the Piper Road Spring Band. He also performs occasionally with his wife Lori. Bruce King of Art Stevenson and High Water – also formerly of Alive ‘n’ Pickin’ – is on mandolin. Bruce and Mike are veterans of the Great Northern Bluegrass Festival in Mole Lake\, WI – performing there every year from 1977 to 1982. Fiddle player Paul Kienitz is a member in good standing of regional bluegrass favorites\, The Nob Hill Boys. Bass player John Jirak also has played banjo with various folks in the northeastern WI and Madison areas\, most notably with the Green Bay based Fox River Flyer. As a bass player\, he’s performed shows with the Chicago Bluegrass Band\, Miltown Ramblers\, Krause Family\, Old Cool\, Spare Time Bluegrass Band\, Bob Steeno and The Old Truck\, and Down From the Hills\, and currently Madison’s newest\, Kettle Moraine. \nLike them on Facebook.
URL:https://cafecarpe.com/event/new-pioneers-50/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20181006T190000
DTEND;TZID=America/Chicago:20181006T213000
DTSTAMP:20260406T182717
CREATED:20180924T213640Z
LAST-MODIFIED:20180924T213646Z
UID:4208-1538852400-1538861400@cafecarpe.com
SUMMARY:OPEN STAGE
DESCRIPTION:
URL:https://cafecarpe.com/event/open-stage-101/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20181005T203000
DTEND;TZID=America/Chicago:20181005T230000
DTSTAMP:20260406T182717
CREATED:20180425T030053Z
LAST-MODIFIED:20181003T194732Z
UID:3857-1538771400-1538780400@cafecarpe.com
SUMMARY:LUCY KAPLANSKY/  SOLD OUT
DESCRIPTION:This show has SOLD OUT.  Sometimes people release their tickets back to Brown Paper Tickets so you can check to see if that has happened up until 2 hours before showtime. \nClick on the link below to buy tickets. \n   LUCY KAPLANSKY is a rare vocal talent\, “a truly gifted performer…full of enchanting songs” (New York Times). Blending country\, folk and pop styles\, she has the unique ability to make every song sound fresh\, whether singing her own sweet originals\, covering country classics by June Carter Cash and Gram Parsons or singing pop favorites by Lennon/McCartney and Nick Lowe. Lucy’s iconic voice has has been featured in film and on television\, including commercials like Chevrolet’s iconic “Heartbeat of America” jingle. A Billboard-charting singer and one of the top-selling artists on Red House Records\, she has topped the folk and Americana radio charts and has been featured on shows throughout the world from NPR’s Weekend and Morning Editions to BBC Radio to CBS Sunday Morning. One of the most in-demand harmony singers\, Lucy has sung on countless records\, performing with Suzanne Vega\, Bryan Ferry\, Nanci Griffith and Shawn Colvin. \n\n\n\nRaised by a piano-playing mathematician and a homemaker in Chicago\, Lucy began singing in bars when she was still a teenager\, even traveling to Norway to perform as a country singer. When she was just out of high school\, she took off for New York City\, where she became part of the renaissance of the Greenwich Village folk scene centered around Folk City and the Fast Folk recordings. Her compatriots included Suzanne Vega\, The Roches\, Steve Forbert and John Gorka as well as her frequent duo partner Shawn Colvin. The New York Times said it was “easy to predict stardom for her\,” but instead\, Lucy got a doctorate in psychology and started a private practice. \nEventually Shawn Colvin lured Lucy back to music\, producing her debut album The Tide (1994). Red House founder Bob Feldman was blown away by the release and signed her right away. Since then\, she has released six solo albums with Red House and released radio-charting albums with the folk supergroups Red Horse (with Eliza Gilkyson and John Gorka) and Cry Cry Cry (with Dar Williams and Richard Shindell). \n\nLucy will have her brand-new record with her. \n\nLucy continues to perform all over the world. When not performing\, she lives in New York City\, where she enjoys spending time with her husband and daughter.
URL:https://cafecarpe.com/event/lucy-kaplansky-3/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180930T190000
DTEND;TZID=America/Chicago:20180930T210000
DTSTAMP:20260406T182717
CREATED:20180604T024145Z
LAST-MODIFIED:20180909T235408Z
UID:3970-1538334000-1538341200@cafecarpe.com
SUMMARY:CLAUDE BOURBON
DESCRIPTION:Ready for a unique and talented take on a wide range of musical traditions? CLAUDE BOURBON is known throughout Europe and America for amazing guitar performances that take blues\, Spanish\, Middle Eastern\, and Russian stylings into uncharted territories. Each year Bourbon plays more than 100 shows around the world. \nClaude has played countless venues\, including Glastonbury Festival\, Isle of Wight Festival\, Colne Great British & Blues Festival\, Rock O’Z Arene\, Avenches\, Switzerland\, among others. He has shared the stage in Europe and the USA with countless musicians\, Calvin Russel\, Charlie Morgan (Elton John\, Gary Moore)\, Jan Akkerman (Focus)\, Steve Grossman (Miles Davis)\, Herbie Armstrong ( Van Morisson)\, Jose barrense Dias and many more. \nNow based in the UK\, some of this guitarists’ influences allow us a fascinating insight into this remarkable musician; Paco De Lucia: Deep Purple’s Richie Blackmore; Joaquin Rodrigo; JJ Cale\, Monty Python; JS Bach and Fleetwood Mac’s Stevie Nicks…. \nOne reviewer even noted that although “Claude’s roots were in blues\, that is like saying Leonardo da Vinci was a painter”. Intrigued ? \nExperience an evening of exploration in the unique ambiance of the Thumb ! \n“… not a same ole same ole gig…” \n“ Claude Bourbon is a unique figure today… his playing is almost indescribable“ – The Hook\, Charlottesville\, USA \n“Never heard anyone get that much beautiful sound out of a J-45”\, Bob\, Tucson\, AZ \n“Do you know what Medieval guitar sounds like? I didn’t either ‘til I hooked up with Claude! This is some cool stuff\, and he’s French and everything!” Dolores River Brewery\, Dolores\, CO \n“A breathtaking acoustic fusion of blues\, jazz\, folk\, classical and Spanish guitar from a stunning guitar virtuoso…”Altadena News\, USA” \n“…This accomplished artist offers tender\, compelling performance through highly developed precision. His sound instantly creates ambience – from haunting Spanish moods to lyrical\, romantic jazz\, Claude Bourbon provides both a rich evening of music for lovers\, and a real treat for music lovers…”\, BBC\, UK \nhttp://www.reverbnation.com/claudebourbon \nPlease call 920-563-9391 to reserve.
URL:https://cafecarpe.com/event/claude-bourbon-3/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180929T190000
DTEND;TZID=America/Chicago:20180929T213000
DTSTAMP:20260406T182717
CREATED:20180911T151431Z
LAST-MODIFIED:20180911T151431Z
UID:4191-1538247600-1538256600@cafecarpe.com
SUMMARY:OPEN STAGE
DESCRIPTION:
URL:https://cafecarpe.com/event/open-stage-100/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180928T203000
DTEND;TZID=America/Chicago:20180928T230000
DTSTAMP:20260406T182717
CREATED:20180604T023832Z
LAST-MODIFIED:20180619T040507Z
UID:3964-1538166600-1538175600@cafecarpe.com
SUMMARY:ERIK KOSKINEN BAND
DESCRIPTION:Musically sprouted from the blend of American folk\, country\, rock-n-roll\, and blues\,  ERIK KOSKINEN realizes a sound that is distinctive and fresh while familiar and classic.  He last appeared here as an opening for Jeffrey Foucault.  This time he returns in full force with his band. \nPlease call 920-563-9391 to reserve.
URL:https://cafecarpe.com/event/erik-koskinen-band/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180927T200000
DTEND;TZID=America/Chicago:20180927T223000
DTSTAMP:20260406T182717
CREATED:20180725T191513Z
LAST-MODIFIED:20180918T232712Z
UID:4108-1538078400-1538087400@cafecarpe.com
SUMMARY:ANA EGGE
DESCRIPTION:When ANA EGGE got bit by the music bug as a teenager\, she took matters into her own hands\, building her own guitar\, and moving to Austin\, TX to observe\, absorb and take musical risks. The striking depth and unusual maturity of her singing\, playing\, and songwriting got her noticed\, and she recorded her first album\, River Under the Road (1997) with the legendary western swing band\, Asleep At The Wheel. The Austin Music Awards named her “Best Singer/Songwriter” and “Best Folk Artist.” Over the ensuing years and 8 subsequent CDs\, Ana has made good on that promising debut. She has worked with producers Martin Terefe\, Jason Mercer\, Joel Plaskett\, Steve Earle\, and Stewart Lerman\, and recorded full albums with The Stray Birds and The Sentimentals. Now\, in 2018\, she has released White Tiger\, her tenth album\, a new batch of Egge originals of such singularly articulate and affecting honesty and sensitivity\, as to once again deserve USA Today’s accolade\, “[Ana] can write and sing rings around” her contemporaries. \nLucinda Williams called her “… An Exceptional Songwriter…the Nina Simone of Folk”. \nAna Egge grew up with parents who “dropped out\,” choosing to raise four girls in a lovingly cobbled together combination of a small farmhouse on the North Dakota plains\, a bus on the California Coast\, and a hot springs commune in rural New Mexico\, scraping together dimes and hand-me-downs. Ana learned that her life was truly hers to create. “We were always the outsiders\,” she says. “I was taught how to shoot a gun and how to enjoy alfalfa sprouts and tofu. I ran around barefoot and learned to ride a motorcycle when I was 5. I grew up with all the time and space in the world.” Given her unconventional upraising\, it’s not surprising that Ana has since been plotting her own journey\, confident\, fearless\, and uncompromising. She’s been around the horn of life’s experiences\, having forsaken the Great Plains for Sunset Park in Brooklyn\, and gotten married and become a mother\, but she’s never lost touch with the free-spirited childhood and the Western landscape that formed her. \nAlec Spiegelman\, who plays bass clarinet and synthesizer and sings\, will be accompanying Ana. \nPlease call 920-563-9391 to reserve seats.
URL:https://cafecarpe.com/event/ana-egge/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180922T200000
DTEND;TZID=America/Chicago:20180922T223000
DTSTAMP:20260406T182717
CREATED:20180604T024007Z
LAST-MODIFIED:20180814T223152Z
UID:3968-1537646400-1537655400@cafecarpe.com
SUMMARY:BRIAR ROAD
DESCRIPTION:BRIAR ROAD consists of \nDAN ZAHN guitar mandolin vocals \nKATE MORETTI guitar ukelele banjo vocals \nRUSTY WINCHEL bass and vocals \nThe trio from Northern Illinois have been playing traditional and contemporary folk\, blues\, swing\, jazz and original material together for years. \nPlease call 920-563-9391 to reserve.
URL:https://cafecarpe.com/event/briar-road/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180921T200000
DTEND;TZID=America/Chicago:20180921T223000
DTSTAMP:20260406T182717
CREATED:20180722T165034Z
LAST-MODIFIED:20180723T030416Z
UID:4074-1537560000-1537569000@cafecarpe.com
SUMMARY:KAREN JOHNSON
DESCRIPTION:KAREN JOHNSON started performing at the Cafe’ Carpe in 1998. After retiring early from teaching 4th grade\, she treasures spending time with her golf-crazed husband\, visiting with her two grown boys and wonderful new daughter-in law\, taking care of her two cats\, gardening\, feeding her fine-feathered friends\, and finding every excuse possible to get outside and enjoy nature.\n\nKaren will share her song renditions of  her favorite artists which include Joan Baez\, Nanci Griffith\, and Alison Krauss…just to name a few.  Riding along with her dad in his old chevy truck while listening to country radio sparked her passion for old country tunes of which a few find their way onto her song list as well.\n\nPlease call 920-563-9391 to reserve.\n\n\n\nSong links:\n\nhttps://www.youtube.com/watch?v=dclx2nwDJNY\n\nhttps://www.youtube.com/watch?v=Z6pYX8uK25o\n\nhttps://www.youtube.com/watch?v=1z6AN79G3TE&t=11s
URL:https://cafecarpe.com/event/karen-tuten/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180920T193000
DTEND;TZID=America/Chicago:20180920T213000
DTSTAMP:20260406T182717
CREATED:20180604T023928Z
LAST-MODIFIED:20180910T001105Z
UID:3966-1537471800-1537479000@cafecarpe.com
SUMMARY:SONOFMEL & the SLIDEMAN
DESCRIPTION:Sonofmel is the psuedonym of Hayward\, Wisconsin’s John Adler. He’s a deep thinker who sees symbols and human connection in all things\, and his album “Springtime in a Foreign City” details moments of his life travelling the world. He’s joined by Jordan “Slideman” Grunow of Ashland\, WI\, for a memorable Scenic Route full of original tunes and great conversation. \n“Sometimes it takes traveling far from home to find out where you come from…\n…after 20 years of wandering the globe and combing the sites\, lights\, sounds\, and shadows for signs of the sacred sprung from the profane\, time warrants a return to the mid west with a time-worn guitar\, fistfuls of chords strung up with verse\, bringing the foreign home to the familiar… These songs come from the world-weary road\, plied from places and faces met from Baku to Berkeley\, Anchorage to Ankara\, from recluse to royalty…”  –sonofmel \n“Sonofmel is one of the best songwriters out there.“– Gary Storm\, Oil of Dog Radio \n“Dylanesque songwriting delivered with a voice like Johnny Cash.” – Jeffrey Jones\, WOJB Music Director \nPlease call 920-563-9391 to reserve.
URL:https://cafecarpe.com/event/son-of-mel/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180915T203000
DTEND;TZID=America/Chicago:20180915T230000
DTSTAMP:20260406T182717
CREATED:20180823T171758Z
LAST-MODIFIED:20180915T171418Z
UID:4163-1537043400-1537052400@cafecarpe.com
SUMMARY:JAMES LEE STANLEY
DESCRIPTION:It is only a long-lived singer-songwriter career that lets JAMES LEE STANLEY unite the unpredictable creative turns and the eclectic elements that make up his world. His remarkable ability as a vocalist and composer allow him to create songs\, each recorded with a finely crafted with guitar orchestrations that enhance the lyric. But a whole new dimension is added when James Lee performs live. These incredible songs\, coupled with his outragously hilarious repartee\, make for an evening of hilarity and tenderness and one of the most entertaining concerts on the circuit. He has been hailed as one of the few all time greats and undisputed geniuses among singer-songwriters. Fi Magazine listed his FREELANCE HUMAN BEING as one of the finest recordings of 1998 and one of the Top 200 Recordings of all time – FI Magazine March 1999. \n“It is simple\, really. With James Lee you get great songs\, great guitar playing\, great voice and a gifted comedian as well. You are in for a very entertaining evening.” Village Voice \n“This man is a great artist – his songs are finely-crafted and richly textured\, with immediately memorable melodies and thought provoking lyrics\, and his guitar playing is simply gorgeous\, alternating between subtle finger picking\, lush chording\, stark simplicity\, rhythmically-charged complexity\, and many and varied shades in between” – Fi Magazine.. \nJAMES LEE STANLEY\, the true renaissance man\, was born in Philadelphia\, PA\, and has been recording and performing since he was fourteen. He has toured consistently since he returned from the USAF (as a Chinese linguist) and has performed up to three hundred dates a year since then\, with such diverse acts as BONNIE RAITT\, ROBIN WILLIAMS\, NICOLETTE LARSON and even BILL COSBY. STEVEN WRIGHT chose James Lee as his opening act for three years in a row; a testament to his professionalism and talent. \nPlease call 920-563-9391.
URL:https://cafecarpe.com/event/james-lee-stanley-7/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180914T203000
DTEND;TZID=America/Chicago:20180914T230000
DTSTAMP:20260406T182717
CREATED:20180622T221611Z
LAST-MODIFIED:20180914T122228Z
UID:3998-1536957000-1536966000@cafecarpe.com
SUMMARY:PIPER ROAD-SOLD OUT
DESCRIPTION:Those who have reserved seats- show up at least 15 minutes before showtime to claim those seats. \nPIPER ROAD is: \nRandal Harrison – Fiddle\nBob Mason – Mandolin\nJohn Widdicombe — Bass\nBarry Riese — Guitar – Vocals\nBill Kangaroo — Washboard \nPiper Road was born into the age of rock & roll with individual backgrounds diverse as classical\, cowboy\, folk\, blues and Dixieland. Influenced by some live performances of Doc Watson and Bill Monroe and the Nitty Gritty Dirt Band release of “Will The Circle Be Unbroken” in the early 1970’s\, they put away the electric amps and guitars and developed a unique acoustic/bluegrass style. They never completely abandoned their musical roots and have blended Irish fiddle tunes with American country\, big band\, novelty and space-aged Grateful Dead inspired jams. \nThe band continues to swing! With their strong bond of friendship\, commitment to quality musicianship and continuing support of a strong fan base\, Piper Road invites you to join them as their show hits the road. The current Piper Road roster has accumulated over 100 years of experience performing together. \nPlease call 920-563-9391 to reserve.
URL:https://cafecarpe.com/event/piper-road-5/
END:VEVENT
END:VCALENDAR