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X-WR-CALNAME:Cafe Carpe
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X-WR-CALDESC:Events for Cafe Carpe
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TZID:America/Chicago
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TZOFFSETFROM:-0600
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DTSTART:20140309T080000
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20150402T200000
DTEND;TZID=America/Chicago:20150402T223000
DTSTAMP:20260430T190456
CREATED:20150128T154948Z
LAST-MODIFIED:20150326T181245Z
UID:2410-1428004800-1428013800@cafecarpe.com
SUMMARY:BOBBY LONG
DESCRIPTION:BOBBY LONG \nBritish singer-songwriter Bobby Long emerged from London’s club scene with a reputation for creating memorable songs inhabited by hauntingly poetic lyrics. Since relocating to New York\, he has released two CDs of powerful original material: the first—A Winter Tale (2011)—an homage to his acoustic roots\, while the second—Wishbone (2013)—bears a grittier sound that showcases his sorrow-filled voice and his stellar guitar playing. \nOde to Thinking\, his third full album\, was recorded in Austin\, Texas and marries his varied musical influences\, resulting in a strong collection of compelling new songs. It was supported by a highly successful PledgeMusic campaign\, and plans are being made for its release this year. \n“With scratched vocals that sound as if he’s screamed his way through hell\, Bobby Long sings A Winter Tale like it’s his last chance. In reality\, it’s one of his first chances\, but the desperation in his tone leads me to believe he’s onto something. From the moment that the opening acoustic guitar breaks into distortion on the album’s title track\, and his heavy voice cuts through\, it is clear that he wants to say something important.” Jonathan Kosakow PopMatters \n“The British folk scene is one that is truly thriving at the moment. Each week it seems that we are introduced to a new fresh-faced artist or act that claim they are going to take the genre further. Bobby Long however is the artist that is perhaps the most talented\, yet sadly kind of slipped under the radar\, in comparison to others\, with his debut album ‘A Winters Tale’. Fortunately none of his talent and raw emotion that he puts into his music has wavered on his sophomore release ‘Wishbone’. David Mariam- NOHO \n“Co-writing a song for the soundtrack of blockbuster movie du jour\, Twilight\, and having teen idol looks must be a blessing and a curse for London-based singer-songwriter Bobby Long. \nThe Greenwich Village venue of the third New York date on his Dangerous Summer Tour attracts a herd of borderline stalky Twilight fans\, and Long’s penchant for dedicating songs to female members of his touring crew results in many a death stare towards their corner of the venue. \nBobby’s stripped-down\, one-man acoustic live show is intimate and compelling and though he banters confidently with the crowd\, during songs Long hides almost self-consciously behind his hair. Originally hailing from the West Country\, the 22-year old troubadour’s smooth\, soulful voice has a gentle rasp\, much like Ray Lamontagne or a young Van Morrison. ‘Dead And Done’ – a sunny\, Johnny Cash name-checking track\, and the woebegone ‘Two Years Old’ are the highlights on this rainy\, late summer night. \nThe Twilight connection has certainly given Bobby Long a leg-up and\, with time\, he should transcend the fame-by-association and be recognised in his own right as the superior storytelling musician he is.”  Rachel Wright – Clash \nPLEASE CALL TO RESERVE.
URL:https://cafecarpe.com/event/bobby-long/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20150403T203000
DTEND;TZID=America/Chicago:20150403T230000
DTSTAMP:20260430T190456
CREATED:20150305T162214Z
LAST-MODIFIED:20151117T160920Z
UID:2435-1428093000-1428102000@cafecarpe.com
SUMMARY:BROTHERS QUINN- see schedule note
DESCRIPTION:NOTE: Sorry- this was listed incorrectly for awhile as being on April 4.  Good Friday April 3 is the day the Brothers Quinn plan on showing up. \nBROTHERS QUINN is a four piece folk ensemble from southeastern Wisconsin fronted by WAMI award winning fiddle player Blaine McQuinn. The Brothers Quinn perform a variety of music including Irish\, bluegrass\, classic country\, and blues; however\, it’s not unusual to hear some Beatles or even Radiohead. Blaine is joined on stage by his brother Timothy McQuinn on drums\, washboard\, and vocals\, Peyton Lencho on upright bass and Brian “Looper” Lucas on harmonica\, guitar and vocals. Together\, these boys bring a unique energy to familiar songs and even a few unfamiliar tunes.
URL:https://cafecarpe.com/event/brothers-quinn-3/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20150404T193000
DTEND;TZID=America/Chicago:20150404T220000
DTSTAMP:20260430T190456
CREATED:20150319T134009Z
LAST-MODIFIED:20150327T175340Z
UID:2443-1428175800-1428184800@cafecarpe.com
SUMMARY:OPEN STAGE- see note
DESCRIPTION:Had this wrong for awhile- was posted as the night for the BROTHERS QUINN\, but that is actually happening on Good Friday April 3 \nSorry for any confusion…
URL:https://cafecarpe.com/event/tba-5/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20150409T190000
DTEND;TZID=America/Chicago:20150409T210000
DTSTAMP:20260430T190456
CREATED:20150406T185157Z
LAST-MODIFIED:20150406T185157Z
UID:2479-1428606000-1428613200@cafecarpe.com
SUMMARY:The New Pioneers- NOT!!!
DESCRIPTION:THE PIONEERS WILL NOT be playing this night.   This 2nd Thursday of April did not work\, so they rescheduled to April 16. May also required a schedule change from the 2nd Thursday.  The May date is likely to be May 21.
URL:https://cafecarpe.com/event/the-new-pioneers-not/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20150410T203000
DTEND;TZID=America/Chicago:20150410T230000
DTSTAMP:20260430T190456
CREATED:20141126T194504Z
LAST-MODIFIED:20150326T185310Z
UID:2356-1428697800-1428706800@cafecarpe.com
SUMMARY:CURTIS & LORETTA
DESCRIPTION:CURTIS AND LORETTA \nHeartfelt original acoustic songs\, plus traditional music from the British Isles\, America and beyond\, featuring \n\nCurtis Teague on vocals\, guitar\, mandolin\, mandocello\, clawhammer banjo\, steel ukulele\, harmonica and\nLoretta Simonet on vocals\, Celtic harp\, guitar\, mandolin\, kazoo\, shakers\n\nCurtis & Loretta’s music comes straight from the heart. The husband and wife duo’s extraordinary harmonies and proficiency on a parade of stringed instruments create an alluring frame for their poignant original songs\, and carefully chosen traditional pieces from the British Isles\, America\, and beyond. The current menagerie includes Celtic harp\, mandocello\, mandolin\, guitars\, clawhammer banjo\, and National steel ukulele\, plus a bit of kazoo\, harmonica\, and shakers. Curtis’ down-home sense of humor and Loretta’s theater background engage the audience in an experience that runs the gamut of rolling with laughter to holding back tears\, with plenty of side-trips in between. \nTheir heartfelt original songs have won them fans throughout the U.S. and overseas. Curtis & Loretta revel in writing songs about the heroism and integrity of real-life\, ordinary people\, often people they actually know. “Angel of Bergen-Belsen” is the story of Luba Tryszynska\, a holocaust survivor who saved 54 children during World War II. Curtis & Loretta sought her out and met her after writing the song\, and visited her four times at her home in Miami. “Gone Forever” tells the heart wrenching story of Loretta coming to terms with her dad’s Alzheimer’s. “Elza and Branko (The Siege of Sarajevo)” details the love and bravery of a couple living through the Balkan wars. Curtis & Loretta located Elza (now a widow) and were in contact with her for many years. \nRick Mason wrote in the Minneapolis City Pages A-List\, “Curtis and Loretta are in many ways the quintessential folk duo: finely honed vocal harmonies of multidimensional intrigue\, abundant talent on an array of stringed instruments\, deep traditional roots\, great originals\, and equally strong strains of gravity and playful irreverence.” \nAnd though it’s not commonly known\, folksingers do want to have fun! The duo’s perennial humor shines through\, with songs of harp players trying to get into heaven\, small spenders on first dates\, bugs\, and lutefisk! \nCurtis grew up in Duncanville\, Texas\, singing harmony in small country churches. He taught himself to play guitar\, and everything else he’s come across in his ongoing quest for vintage stringed instruments. He has a diploma in Musical Stringed Instrument Repair and Building from Red Wing Technical College in Minnesota. Loretta grew up in Stillwater\, the historic river town known as the “birthplace of Minnesota.” She sang in church\, high school\, and college choirs\, and graduated from St. Cloud State University in Minnesota with a Bachelor of Arts degree in Theater (acting). She studied harp with Bridgett Stuckey of the St. Paul Chamber Orchestra\, and vocal performance with Jeannie Brindley-Barnett. \n“Loretta’s almost operatic alto and Curtis’ rich tenor form a lush\, polished and varied vocal blend. The pair’s instrumental interplay is equally compelling\, with Loretta’s harp textures dancing in and around Curtis’ deft guitar and mandolin lines.”….Dirty Linen
URL:https://cafecarpe.com/event/curtis-loretta/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20150411T193000
DTEND;TZID=America/Chicago:20150411T220000
DTSTAMP:20260430T190456
CREATED:20150321T233725Z
LAST-MODIFIED:20150408T172321Z
UID:2459-1428780600-1428789600@cafecarpe.com
SUMMARY:OPEN STAGE
DESCRIPTION:
URL:https://cafecarpe.com/event/tba-6/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20150412T190000
DTEND;TZID=America/Chicago:20150412T213000
DTSTAMP:20260430T190456
CREATED:20150305T162919Z
LAST-MODIFIED:20150305T163901Z
UID:2440-1428865200-1428874200@cafecarpe.com
SUMMARY:TIM GRIMM & JAN LUCAS
DESCRIPTION:TIM GRIMM and wife JAN LUCAS will share their lovely selves in an evening of music and stories. \nTim  is a bit of a Rennaisance man in the performing arts world. He has for the past 15 years\, blended his love for songwriting\, travel\, and the storytelling of acting (theatre\, film and television). His most recent recording\, THE TURNING POINT\, produced the #1 song on Folk radio in 2014– KING OF THE FOLKSINGERS. It was a particularly gratifying honor\, given the song is a tribute to Tim’s friend and musical icon\, Ramblin’ Jack Elliott. Tim’s history with Ramblin’ Jack goes back 30 years– beginning with a bicycle ride that led to The Newport Folk Festival…. Tim contributing liner notes to Jack’s Grammy winning album\, The South Coast (1995)… Jack’s recording Buffalo Skinners with Tim on Tim’s album\, Coyote’s Dream (2003)….and now\, most recently KING OF THE FOLKSINGERS. \nTop Albums\, Songs\, Artists of 2014 (FOLKDJ-L) \n \nAfter college (Earlham)\, Grimm pursed an MFA in Theatre at The University of Michigan and from there worked in Regional Theatre\, settling in Chicago. In Chicago\, in addition to his theatre work\, he studied briefly at the Old Town School of Folk Music and began writing songs and performing. He put together a band\, Tim Grimm and The True Hearts and released 2 cds–True Heart\, Kind Mind and Broken Down Palace. At which point\, “Hollywood called”\, and Tim put down his guitar and pen\, and didn’t really pick them up for close to 10 years.\nAfter several years (1990s) working in Los Angeles (where he co-starred for 2 seasons on the NBC drama Reasonable Doubts\, worked on Clear and Present Danger with Harrison Ford\,  and appeared in several films and tv projects)\, Tim returned home to Indiana.  He grew up in the woods and small town settings of southern Indiana\, son of schoolteachers and grandson of farmers\, and his return home was a conscious choice to live a life of significance rather than one of “success’.  He now lives with his wife on  80 acres close to where he grew up. Tim’s songs are full of the rural rumblings that have shaped his life—rich with descriptive details\, and sung with warmth and intimacy—recognizing the inextinguishable national romance with the idea of the family farm and the vanishing landscape of rural America.  He released the album\, HEART LAND in 2000\, and on the strength of that recording\, was named 2000’s “BEST DISCOVERY in Roots/Americana Music” by The Chicago Sun-Times. His albums COYOTES DREAM and NAMES\, led to his being named “2004 MALE ARTIST of The Year” by the Freeform American Roots DJs.\nHe has released 9 solo albums since 2000 (including the newest- THE TURNING POINT)\, and 2 collaborations- AMBER WAVES (with Jason Wilber) and WILDERNESS PLOTS. \nIn 2005\, Grimm was asked to compose music and act in a production of THE GRAPES OF WRATH at Indiana Repertory Theatre and Syracuse Stage in New York. His song from the play–THE PEOPLES HIGHWAY\, made it onto his next album\, THE BACK FIELDS\, which was subsequently named Americana Album of the Year by the Just Plain Folks Music Awards– the world’s largest independent music awards. \nIn 2007\, Grimm put together a concept cd with several of the Midwest’s finest songwriter’s— Krista Detor\, Carrie Newcomer\, Tom Roznowski\, and Michael White. The recording\, Wilderness Plots\, was drawn from the short stories of noted author\, Scott Russell Sanders\, and explored the settling of the American Wilderness in the Ohio River Valley Region between The Revolutionary War and The Civil War. Two PBS programs have explored Wilderness Plots– the first\, a documentary on the story and song\, and the second a full Wilderness Plots- In Concert (2012). Produced by WTIU in Bloomington\, IN\, both productions were nominated for EMMY AWARDS. Tim continued to write songs based on Sander’s writings and released the album\, WILDERNESS SONGS AND BAD MAN BALLADS in 2011. At about this same time\, Grimm also released a tribute album with songs of Tom Paxton\, entitled\, THANK YOU\, TOM PAXTON. \n“Now lets get this straight. Just because an artist covers “Blowin in the Wind” does not mean he sounds like Bob Dylan. Just wanted to get that straight from the start. “Holding Up The World” is Grimms fifth solo album and his first for Corazong\, and if the quality of his previous outings are only half of the songs here\, then I’ve been missing out on a real treat. Isnt it annoying when an album comes along from an artist that youve never heard of and you really like\, only to find out they’ve been around for ages. But I suppose it now means I can explore some of his old stuff with the thought that its gonna be pretty good.\nRecording songs live with just voice and guitar and then adding layers of instruments that fit the song\, Grimm has delivered a mighty fine modern folk record. \nThe title track opens the album and you know what? It just gets ya! There and then\, it grabs you and doesn’t let go. My god it’s beautiful. Instantly hummable\, with lyrics that engage your thoughts and make you both sad and happy simultaneously. What initially seems like a love song to his wife\, like all the best songs it also says something else. But what is it? …Holding up the world\, so many things get broken\, when you’re holding up the world\, you can’t protect your heart…. \nGrimm is a storyteller\, up there with the likes of Crowell\, Earle and Jackson Browne. He sings of families being lost\, the loss of rural America\, returnees from Basra\, slaves escaping a horrendous life\, floods\, yearning\, anguish and the reason why people faced with such adversity carry on whilst being totally empathetic toward their plight or feelings. He also brings in other music genres within the Americana field like some Appalachian on “Or Bust”. Bit like Woody Guthrie. Supported by Jason Wilber from John Prine’s band\, and label mate Krista Detor\, Grimm has restored my faith in today’s folk music. It was starting to wane\, but this guy has bought it back.\nI’m not going to single out any other tracks for praise. I can’t\, because they’re all excellent. It’s taken me ages to get around to reviewing this album and that’s simply because Ive been too busy listening to it.\nOh yes\, he does do a version of “Blowin in the Wind”. But it is a good one. ‘\namericanaUK \nPlease call to reserve.
URL:https://cafecarpe.com/event/tim-jan-grimm/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20150416T070000
DTEND;TZID=America/Chicago:20150416T210000
DTSTAMP:20260430T190456
CREATED:20150305T162649Z
LAST-MODIFIED:20150406T184330Z
UID:2439-1429167600-1429218000@cafecarpe.com
SUMMARY:NEW PIONEERS- new date
DESCRIPTION:The regular second Thursday date of April 9 did not work\, so the group chose this as the April date. \nThis five piece bluegrass ball of fire featuring vocals\, banjo\, fiddle\, guitar\, bass and mandolin appears here regularly on the 2nd Thursday of the month. Its various members have been involved with traditional music locally\, regionally\, and nationally for many years. \nThe Pioneer’s lead singer and guitarist\, Jerry Wicentowski\, has been described by country music historian Bill Malone as “One of the finest singers in bluegrass music”. Jerry has also performed and recorded with such bluegrass greats as Tim O’Brien\, Andy Statman\, Byron Berline\, Tony Trischka and others. Mike Schmidt of Spring Green\, Wisconsin\, is the group’s banjo player. This former French horn player has been a Nashville session musician and member of the popular Wisconsin-based bluegrass bands\, Alive ‘n’ Pickin’ and the Piper Road Spring Band. He also performs occasionally with his wife Lori. Bruce King of Art Stevenson and High Water – also formerly of Alive ‘n’ Pickin’ – is on mandolin. Bruce and Mike are veterans of the Great Northern Bluegrass Festival in Mole Lake\, WI – performing there every year from 1977 to 1982. Fiddle player Paul Kienitz is a member in good standing of regional bluegrass favorites\, The Nob Hill Boys. Bass player John Jirak also has played banjo with various folks in the northeastern WI and Madison areas\, most notably with the Green Bay based Fox River Flyer. As a bass player\, he’s performed shows with the Chicago Bluegrass Band\, Miltown Ramblers\, Krause Family\, Old Cool\, Spare Time Bluegrass Band\, Bob Steeno and The Old Truck\, and Down From the Hills\, and currently Madison’s newest\, Kettle Moraine. \nLike them on Facebook.
URL:https://cafecarpe.com/event/new-pioneers-22/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20150417T203000
DTEND;TZID=America/Chicago:20150417T230000
DTSTAMP:20260430T190456
CREATED:20150319T154343Z
LAST-MODIFIED:20150417T185423Z
UID:2452-1429302600-1429311600@cafecarpe.com
SUMMARY:TRICIA ALEXANDER/ PETE JONSSON/ BILL CAMPLIN
DESCRIPTION:Song swaps are fun!! Lots of different talent thrown together and inspiring each other. \nTRICIA ALEXANDER– Joy-filled\, uplifting and inspiring are some of the words used to describe Tricia Alexander’s music and performance – which ranges from soothing and deeply spiritual to social commentary and humor. \nSinger\, songwriter\, performance poet\, accomplished guitarist\, percussionist and harmonica player\, Tricia moves between jazz\, blues and folk\, spoken word and music\, original compositions and re-interpreted cover tunes – and she does it all with seamless grace. \nTricia has been known for many years as “one of Chicago’s finest folk performers – always a little on the jazzy side” (Chicago Sun Times). Her original blues\, jazz and folk music ranges from soothing and deeply spiritual to social commentary – and from lightly romantic to slightly bawdy. Humanities Iowa calls her\, “A modern-day Aesop” – and the Folk Music Source Book places her “intelligent contemporary writing” in the same league as: Holly Near\, Cheryl Wheeler\, Anne Hills and Christine Lavin. \nVibrant\, uplifting and healing with a voice\, lyrics and music that resonate the heart. Blue O’Connell\, Eclectic Woman\, WTJU FM VA) \nPETE JONSSON is a fine guitar player and singer with an interesting repertoire of Americana tunes. He was one of the members of the trio Live Bait. He has made excellent use of his early retirement to submerge himself in his music. \nBILL CAMPLIN is a regular around here.  The guy can sing his way out of a paper kitchen. \n\n 
URL:https://cafecarpe.com/event/tricia-alexander-pete-jonnson-bill-camplin/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20150418T203000
DTEND;TZID=America/Chicago:20150418T230000
DTSTAMP:20260430T190456
CREATED:20150305T161355Z
LAST-MODIFIED:20150305T161751Z
UID:2431-1429389000-1429398000@cafecarpe.com
SUMMARY:JP CYR and HIS RADIO WRANGLERS
DESCRIPTION:JP CYR & HIS RADIO WRANGLERS hail from Wisconsin and are heavily influenced by the Western Swing\, Honky Tonk\, and Hillbilly sounds of the 1930’s\, 40’s and 50’s. They strive to encapsulate the sounds of the Western dance hall era and their Honky Tonk singin’ and Western Swingin’ will keep your toe tappin’ all night long! Fronted by J.P. Cyr on Vocals and upright bass\, The Radio Wranglers are: Blaine McQuinn on fiddle and vocals\, Bill McRoberts on console steel guitar\, Danny Tyksinski on lead guitar\, and Ed Novak on rhythm guitar. \nPlease call to reserve.
URL:https://cafecarpe.com/event/jp-cyr-and-his-radio-wranglers/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20150424T203000
DTEND;TZID=America/Chicago:20150424T230000
DTSTAMP:20260430T190456
CREATED:20150323T171012Z
LAST-MODIFIED:20150424T155503Z
UID:2461-1429907400-1429916400@cafecarpe.com
SUMMARY:KATIE BURNS BAND
DESCRIPTION:KATIE BURNS  is an indie/folk singer songwriter based out of Mineral Point. Her band includes herself and guitar\, Eric Miller (Madison cellist) and Michael Sherry (Madison drummer). They play all originals. Her voice is ethereal and has a powerful effect on the listener. Her songwriting is said to capture moments in time. She has played all over the surrounding area in Opera Houses\, coffee houses\, galleries and wine bars. Her songs are featured on WPR’s 45 North\, Simply Folk and Hersong. She continues to work with well known indie musicians based out of Omaha Nebraska to record her cds. \nKatie is a mother of 3 and wife of a Wisconsin artisinal cheese maker. \nPLEASE CALL TO RESERVE.
URL:https://cafecarpe.com/event/katie-burns-trio/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20150425T203000
DTEND;TZID=America/Chicago:20150425T230000
DTSTAMP:20260430T190456
CREATED:20150319T182342Z
LAST-MODIFIED:20150323T174117Z
UID:2453-1429993800-1430002800@cafecarpe.com
SUMMARY:RYAN JOSEPH ANDERSON/ MATTHEW FRANCIS ANDERSEN
DESCRIPTION:A few quick notes about MATTHEW FRANCIS ANDERSEN\n– 1st Place Winner\, American Songwriter Magazine 2012 Lyric Contest\n– Venues: Fitzgerald’s (with Steve Forbert\, Stacey Earle and Mark Stuart)\, Heartland Cafe (with Naomi Ashely)\, Elbo Room\, Uncommon Ground (with Sarah Holtschlag and Naomi Ashley).\n– Former northern Wisconsin musky/walleye guide! \nMatthew is a Chicago native\, but as a former walleye and musky fishing guide home has been as far as northern Wisconsin and Michigan’s Upper Peninsula. That’s where Andersen’s debut EP Blue Line takes you: from the local taverns and street lights\, to the boat landings and rivers deep within the northwoods. Matthew Francis Andersen’s writing shows you where this Midwesterner has been. Logging trucks and taxi cabs\, game wardens and bar patrons live inside these songs. \nRYAN JOSEPH ANDERSON \nNashville (by way of Chicago) troubadour Ryan Joseph Anderson paid his rock n’ roll dues as the bandleader for roots outfit Go Long Mule\, guitar slinger for garage-rockers Rambos\, and as a producer\, sessions man\, and touring musician for a variety of artists. His influences as a songwriter range from country blues to psychedelic folk. His debut LP\, The Weaver’s Broom and exclusive videos can be checked out on his website. \nPLEASE CALL TO RESERVE.
URL:https://cafecarpe.com/event/ryan-j-anderson-matthew-f-andersen/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20150501T203000
DTEND;TZID=America/Chicago:20150501T230000
DTSTAMP:20260430T190456
CREATED:20150409T163253Z
LAST-MODIFIED:20150501T151639Z
UID:2482-1430512200-1430521200@cafecarpe.com
SUMMARY:BIG BANG STRING THING
DESCRIPTION:BIG BANG STRING THING \nIt’s rare when the word acoustic conjures thoughts of music that can electrify the jump in your feet. Then again\, BBST is a rare group\, and an impressive collective of musical might. Energetic\, contagious\, and flat out fun\, BBST weaves a sizzling thread through multiple genres to deliver a tapestry of award-winning original music that defies one description\,yet\, connects with everyone. Perhaps that has a something to do with the fact that BBST is made up of veteran musicians who have toured\, recorded\, or shared the stage with Leo Kottke\, The String Cheese Incident\, Lyle Lovett\, The Smashing Pumpkins\, Darol Anger\, Mike Marshall\, John Hartford\, U2\, Asleep at the Wheel\, Garbage\, Willy Porter\, Riders in the Sky\, The Radiators\, David Grisman\, Alex DeGrassi\, Doc Watson\, Carrie Newcomer\, and Merl Saunders and the Rainforest Band to name a few. Or\, it could simply be that Big Bang String Thing knows how to craft a great sound. \nTHE BAND: \nBob Westfall (mandolin\, guitar\, vocals\, songwriting) has studied and worked with some of the top acoustic players in the country -Darol Anger\, Mike Marshall\, John Hartford\, and Alex DeGrassi. But\, while these influences are certainly evident\, Westfall’s songwriting are uniquely his own. An award-winning mandolinist\, Bob grew up in Texas and Minnesota\, and his style incorporates the best elements of storytelling with a hybrid jazz/pop/worldbeat/bluegrass feel. \nThe husband and wife team of Mary Gaines(bass) and Chris Wagoner (violin) provide the bottom and top of the BBST sound\, and have appeared in performance and on recordings with Westfall for over fifteen years. Gaines and Wagoner have similarly diverse backgrounds — formal classical training at the Univ. of WI\, jazz studies with the great bassist\, Richard Davis\, followed by years of performing and recording with jazz\, blues\, rock\, and folk artists and songwriters.
URL:https://cafecarpe.com/event/big-bang-string-thing-6/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20150502T203000
DTEND;TZID=America/Chicago:20150502T230000
DTSTAMP:20260430T190456
CREATED:20150322T161843Z
LAST-MODIFIED:20150428T175054Z
UID:2460-1430598600-1430607600@cafecarpe.com
SUMMARY:MADISON MALONE
DESCRIPTION:Born in the wonderful Wisconsin city that matches her name\, MADISON MALONE was immersed into an obsession with music immediately in her childhood. She traces back her love of music since the days of dancing and singing to The Beatles in her backyard of rolling hills in Portage\, WI. Madison started learning the piano at the age of 5\, writing music at the age of 12\, teaching herself guitar at 17 & is an alum of UW-Madison’s co-ed A cappella group\, Redefined. She is also a teacher at Madison’s Girls Rock Camp!\n\nMadison Malone calls her music soulful-pop because she believes that by putting her soul into everything\, honesty can be emulated in her story-telling & songwriting. The 21-year old believes that music is one of those few mediums of which almost all humans can relate. Whether it be rhythm\, the sound waves\, lyrics\, the movements of the musician\, or just the brilliance & comfort it produces while being performed\, music can connect the world on some sort of common ground. Madison has a driven passion to use & create music in her community and the world in order to inspire those that she crosses paths with. She wishes to show others that music can be this incredible\, spellbinding outlet where we can escape and turn all of our aspirations into reality.\n\n Check her out on Facebook.
URL:https://cafecarpe.com/event/madison-malone/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20150508T193000
DTEND;TZID=America/Chicago:20150508T220000
DTSTAMP:20260430T190456
CREATED:20150415T015055Z
LAST-MODIFIED:20150415T015055Z
UID:2484-1431113400-1431122400@cafecarpe.com
SUMMARY:OPEN STAGE
DESCRIPTION:
URL:https://cafecarpe.com/event/open-stage-68/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20150509T203000
DTEND;TZID=America/Chicago:20150509T230000
DTSTAMP:20260430T190456
CREATED:20150319T134423Z
LAST-MODIFIED:20150430T170846Z
UID:2444-1431203400-1431212400@cafecarpe.com
SUMMARY:SIMON BALTO
DESCRIPTION:Back at the Carpe after a sold-out Lamplighter Session with Peter Mulvey and Count This Penny in December\, SIMON BALTO returns to offer an exclusive listen to the songs from his forthcoming album\, Murmurations. \nNational and international critics alike have compared his songcraft to many of the greats: Dylan\, Prine\, Baez\, Guthrie\, and others. \nWisconsin Public Radio’s Simply Folk host Stephanie Elkins described his writing as having ‘caught [her] by the side…and knocked [her] over.’ \nNo Depression magazine described his voice as ‘butter and honey’. \nThe Chicago-based promotional collective Music Means Family wrote that\, ‘There is a deeply satisfying component to each of his songs – a reminder of home\, woodsmoke\, and the first traces of your breath as winter begins to settle.’ \nThe evening will feature two sets of music from Balto. One will be songs from his first record (the acclaimed The Roads that Make Men Weary) and some favorite covers. The other will be an exclusive opportunity to hear his forthcoming record\, played in its entirety\, front-to-back\, stripped down to one man and a guitar. The record will be released later this year. People at the Carpe that night will be the first to hear many of these songs.
URL:https://cafecarpe.com/event/simon-balto/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20150513T200000
DTEND;TZID=America/Chicago:20150513T223000
DTSTAMP:20260430T190456
CREATED:20150321T233212Z
LAST-MODIFIED:20150507T183549Z
UID:2458-1431547200-1431556200@cafecarpe.com
SUMMARY:THE SUITCASE JUNKET
DESCRIPTION:THE SUITCASE JUNKET is a one-man tour de force out of Western Massachusetts. Matt Lorenz — aka Suitcase Junket — has been road dogging for three years\, solo and with his band Rusty Belle\, touring with Chris Smithers\, David Wax Museum\, and Peter Mulvey. He’s got a powerful new CD out called Make Time.\n\n\nMatt plays a collection of leather satchels\, baby shoes\, oil cans\, cast-iron kettles\, sticks\, bones\, and a ragged guitar he had pulled out of someone’s trash. At first the novelty is mesmerizing\, then the music is. Suitcase finds extreme sounds — the wicked grind of a guitar \, the vintage buzz of an old mic\, the wild insect drone in the throes throat singing  — and uses them to forward his restless skinny road-dog blues-playing big-hair cause. The boy has stories to tell.\n\n\nPeter Mulvey and many others sing Matt’s praises on a collection of various media\, including in-person speech\, echo chambers\, telephone\, shouting from the mountain tops and social media.\n\n\nMatt is a Vermont born musician\, visual artist and tinkerer\, and a professional showoff. “I aim to write good songs and sing them honestly” says Lorenz. He does that and more. The Suitcase Junket’s artistic vision is one of salvaged and repurposed objects\, images and emotions. His innovative junk-percussion constructions\, original album art featuring inanimate objects with wings\, and the high craft of his songwriting all combine to create a unique and engaging entity with a force and style all its own. Lorenz’s self-taught throat-singing adds a fascinating edge to the overall sound. “I’m interested in the hidden voices that reside within things: the songs stuck inside instruments\, the story behind the object\, the mysterious weight of a word\, the harmonic sequence that’s in every note waiting to be broken as light through a prism.”\n\nLorenz tours The Suitcase Junket nationally playing on festival stages and city street corners\, in concert halls and dive bars\, in living rooms and listening rooms. The sound isn’t easy to pin into a genre\, but The Suitcase Junket is often likened to Tom Waits\, The Black Keys and Andrew Bird. Lorenz’s songwriting is unexpected\, powerful and poignant\, drawing from the deep well of the American musical traditions of folk\, rock\, blues and storytelling\, all sharpened with a keen pop sensibility. With masterful command over instruments of his own creation\, he silences a room with the first notes of his throat singing and holds the crowd until the final chords of his guitar. When he plays you get the sense that he is truly playing and that he’d be doing it just as joyfully with or without an audience. \nThe Suitcase Junket has self-released two albums: Sever and Lift (2009) and Knock It Down. (2011) The third album\, Make Time\, came out on January 6\, 2015. “The band” is built around a resurrected dumpster-diamond guitar\, an old oversized suitcase\, a hi-hat\, a gas-can baby-shoe foot-drum\, a cookpot-soupcan-tambourine foot-drum\, a circular-saw-blade bell and a box of bones and silverware that operate much like a hi-hat. He pounds out rhythms with his feet and his twang-and-buzz guitar growls through a couple of old tube amps. On top of all this is the ethereal edge of his overtone throat-singing. This act is unique and not to be missed.”Make Time truly travels to various destinations of musical fortitude and emotion[…]It’s one hell of a ride that holds its resonance well after the record has stopped spinning.” – No Depression. \n“If croons could kill\, this one-man band would be a bounty hunter. Armed with a unique\, self-sufficient approach to raw instrumentation\, The Suitcase Junket is an artisan of song\, bending\, forging and sharpening each piece into an emotional tool.” -Performer Magazine. \n“His songs have a sense of beauty about them and are delivered with such forceful sound you can’t believe you aren’t listening to a full band.” – Greenfield Recorder
URL:https://cafecarpe.com/event/the-suitcase-junket/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20150515T203000
DTEND;TZID=America/Chicago:20150515T230000
DTSTAMP:20260430T190456
CREATED:20150326T170042Z
LAST-MODIFIED:20150429T033357Z
UID:2467-1431721800-1431730800@cafecarpe.com
SUMMARY:BILL CAMPLIN and THE SUPERLATANS
DESCRIPTION:
URL:https://cafecarpe.com/event/bill-camplin-band-8/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20150516T203000
DTEND;TZID=America/Chicago:20150516T230000
DTSTAMP:20260430T190456
CREATED:20150430T154341Z
LAST-MODIFIED:20150501T153139Z
UID:2498-1431808200-1431817200@cafecarpe.com
SUMMARY:COLIN O'BRIEN and FROGWATER
DESCRIPTION:Colin is joining up with some Milwaukee friends to provide you with a lively evening. \nBanjo\, fiddle\, guitar\, footboard playin’ COLIN O’BRIEN\, recently released his CD\, “After a Song”\, recorded in Nashville with some of music city’s best pickers: Larry Perkins\, Matt Combs\, Mark Howard and Dennis Crouch. Those boys were so enthralled with Colin they urged him to move there\, which he and his wife\, after a bit of consideration (1 or 2 minutes)\, did. \nIt was in the summer of 2011 that Nashville music legend Larry Perkins heard Colin’s set at the John Hartford Memorial Festival. Larry was side-struck. He immediately invited him down to Nashville make a record. The result\, After A Song\, features 12 of Colin’s originals and a band comprised of some of the late John Hartford’s band mates. \n“After A Song…Bottles the lighting that was John Hartford’s engagingly off-center songwriting” – Jon Weisberger\, The Nashville Scene. \nColin even played John Hartford’s banjos for the sessions! In addition to his solo work Mr. O’Brien has also recently formed The Colin O’Brien Stringband. It’s a veritable acoustic supergroup featuring some of Music City’s finest players\, Matt Combs\, Mike Compton and Todd Phillips. The group will be releasing a live recording “Live at the Station Inn” in very early 2013. \nColin has recently signed on with Nashville Artist Management and Promotion Company Rockin’ Robyn Productions. \nFROGWATER is a Milwaukee-based acoustic duo who perform Celtic\, bluegrass\, blues\, ragtime\, regional instrumental dance. \nJohn (Vocals\, Acoustic Guitar\, Banjo\, Mandolin) & Susan (Vocals\, Viola\, Mandolin) are particularly influenced by their love of  Irish & Scottish music\, with their passion being evident in performance. The intoxicating blend of their energy and style of music is sure to engage you.and create that festive atmosphere.: Fiddle\, Guitar\, Mandolin\, Ukulele\, Harmonica and banjo. The band’s repertoire spans the breadth of many traditional styles including Old-Time\, Celtic and regional instrumental dance music\, Blues\, Ragtime\, Ballads and original compositions- they pride themselves on being both eclectic and entertaining!
URL:https://cafecarpe.com/event/colin-obrien-w-frogwater/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20150521T190000
DTEND;TZID=America/Chicago:20150521T210000
DTSTAMP:20260430T190456
CREATED:20150319T135149Z
LAST-MODIFIED:20150428T180903Z
UID:2448-1432234800-1432242000@cafecarpe.com
SUMMARY:NEW PIONEERS
DESCRIPTION:The regular second Thursday date of May 14 did not work\, so the group chose this as the May date. \nThis five piece bluegrass ball of fire featuring vocals\, banjo\, fiddle\, guitar\, bass and mandolin appears here regularly on the 2nd Thursday of the month. Its various members have been involved with traditional music locally\, regionally\, and nationally for many years. \nThe Pioneer’s lead singer and guitarist\, Jerry Wicentowski\, has been described by country music historian Bill Malone as “One of the finest singers in bluegrass music”. Jerry has also performed and recorded with such bluegrass greats as Tim O’Brien\, Andy Statman\, Byron Berline\, Tony Trischka and others. Mike Schmidt of Spring Green\, Wisconsin\, is the group’s banjo player. This former French horn player has been a Nashville session musician and member of the popular Wisconsin-based bluegrass bands\, Alive ‘n’ Pickin’ and the Piper Road Spring Band. He also performs occasionally with his wife Lori. Bruce King of Art Stevenson and High Water – also formerly of Alive ‘n’ Pickin’ – is on mandolin. Bruce and Mike are veterans of the Great Northern Bluegrass Festival in Mole Lake\, WI – performing there every year from 1977 to 1982. Fiddle player Paul Kienitz is a member in good standing of regional bluegrass favorites\, The Nob Hill Boys. Bass player John Jirak also has played banjo with various folks in the northeastern WI and Madison areas\, most notably with the Green Bay based Fox River Flyer. As a bass player\, he’s performed shows with the Chicago Bluegrass Band\, Miltown Ramblers\, Krause Family\, Old Cool\, Spare Time Bluegrass Band\, Bob Steeno and The Old Truck\, and Down From the Hills\, and currently Madison’s newest\, Kettle Moraine. \nLike them on Facebook.
URL:https://cafecarpe.com/event/new-pioneers-23/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20150522T203000
DTEND;TZID=America/Chicago:20150522T230000
DTSTAMP:20260430T190456
CREATED:20150114T133047Z
LAST-MODIFIED:20150521T135440Z
UID:2393-1432326600-1432335600@cafecarpe.com
SUMMARY:JENN RAWLINGS/ AWNA TEIXEIRA/ HUCK NOTARI
DESCRIPTION:THE HEARTLAND’S SPRING TOUR 2015 \nVintage folk\, heartfelt country balladry\, and a side of accordion- you don’t want to miss songwriters Awna Teixeira (of Po girl)\, Huck Notari\, (from Portland\, OR)\, & Jenn Rawling (Midwest born) as they croon their way across the Midwest for just 3 weeks this May. It’s a rare songbird migrating for this limited edition of time. I’d grab this\, hold it close\, and call it the geode of evenings. \nAWNA TEIXEIRA -​​Portuguese Canadian\, Awna Teixeira has been touring steady in different bands since 2001. Awna’s songs convey that classic old time feel of back porch spirituals. Crossing borders with her Portuguese upbringing\, you can also hear her tales of heartache and travel through accordion driven European folk. While performing primarily on banjo\, accordion\, guitar\, Awna has added playing percussion with her feet both on Tambourine and an old suitcase. She is releasing her second full length album ‘Wild One’ March 2015.\n“Dark vivid lyrical imagery\, beautifully layered instrumentation\, delicate yet fierce vocals”\n-Santa Fe New Mexican\nJENN RAWLING-​ Vintage American Folk singer/songwriter Jenn Rawling composes highly melodic songs from fascinating scraps of images and phrases\, singing them with a vibrant\,immediately engaging yodel-edged alto. Rawling’s playful\, poetic lyrics are enhanced by her sophisticated sense of phrasing and pace.\n“A rare songwriter whose varied and distinctive melodies trace the calls of birds and the motion of honey bees. Her songs don’t connect the dots- they leap\, and the intuitive connections she makes are so true that she takes us with her. “ Andrew Calhoun\, Waterbug  Records\nHUCK NOTARI -​is best described as Original Country Folk. Steeped in the authenticity of time gone by\, he draws his listeners into a timeless place of old values. Growing up in the White Mountains of New Hampshire and living the mountain life deeply impacted Huck. After many travels\, it is his appreciation for simpler times\, the country\, and down-to-earth people that come through loudest in his genuine smile and heart breaking melodies. Huck lives in Portland\, OR and plays regularly in the Northwest.\n“Huck is one of the finest songwriters in America today – songs full of truth and peace – they do what songs ought to do” – Samantha Parton\, The Be Good Tanyas
URL:https://cafecarpe.com/event/jenn-rawlings-awna-teixeira-huck-notari/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20150523T203000
DTEND;TZID=America/Chicago:20150523T230000
DTSTAMP:20260430T190456
CREATED:20150324T172430Z
LAST-MODIFIED:20150523T184700Z
UID:2464-1432413000-1432422000@cafecarpe.com
SUMMARY:SONG SWAP w/ JIM BARNARD/ DANA PERRY (Dakotah Rose had to cancel) / TIM COUGHLIN JR.
DESCRIPTION:JIM BARNARD is a singer-songwriter with strong contemporary folk and blues roots. His alluring melodies and engaging lyrics are wrapped in expressive vocals and a soulful\, distinctive\, finger-style guitar. \nJim’s warmth and humor on stage make an instant connection with any adult audience. His smooth-textured vocals and vibrant acoustic guitar artistry often draw comparisons from listeners to James Taylor or Charlie Rich. Lyrics that explore themes ranging from lost and found love to the foibles of the human condition have evoked audience thoughts of John Prine or Bruce Cockburn. From comic to cosmic\, his repertoire is punctuated with performances that beg for an encore. \nHis debut CD\, “Artificial Flowers”\, released in 2013\, was received with high acclaim. Jim’s bluesy composition\, “Baby Please Baby Me” is featured on the Madison Songwriter’s compilation CD\, “Made at Home”. \nJim’s music is woven from diverse influences that include Bob Dylan\, James Taylor\, Chris Smither\, Randy Newman\, Keb Mo\, Bonnie Rait\, Bruce Cockburn\, Shawn Colvin\, James McMurtry\, John Prine\, Leon Russel\, Dave Van Ronk\, and Ella Fitzgerald. \nTIM COUGHLIN\, JR. is a singer-songwriter\, multi-instrumentalist\, and recording artist from small town Wisconsin and Illinois\, who has come to find his home in Madison\, WI. Having been an active musician in various bands and projects across a wide range of genres since the age of sixteen\, Coughlin’s solo music stands as a focused effort to show the world his own sound as it has developed over the last ten years\, and on into the future. It is expressed as a varied blend of new and old\, indie and roots\, landing somewhere between influences like Gary Higgins and Conor Oberst. \nIn November 2014 he started work with engineer Will Bailey recording his first LP – “Dark Rooms” – from his home studio in Madison\, WI. A follow-up to the debut “How?” EP released in early 2014\, the album features the sort of introspective\, moody folk heard on “How?” but with a more developed\, experimental\, approach and sound. Released in early 2015\, “Dark Rooms” brings the project a step forward\, and shows a fuller picture of things to come. \nHis live show is raw and improvisational while still remaining faithful to the sound heard on the recorded work. Occasionally featuring friends and musical co-conspirators he has met along the way\, every show is unique in its own right. Tim Coughlin Jr. always promises a memorable experience for the listener to take home with them. \nSadly\, Dakotah had to bow out and DANA PERRY will be the third performer.\nDAKOTAH ROSE started singing as a 4-year-old at an upright piano in a living room. Almost twenty years later\, it looks very similar. Dakotah has been playing piano\, singing and song-writing all her life and picked up the guitar around the age of 12. She took piano lessons for 10 years\, making her piano style heavily influenced by classical music. Her youngest musical influence was her father\, who also wrote songs and was heavily influenced by folk music from the 60s era and Rock and Roll from the 70s. She was lucky enough to be introduced to the music of Joni Mitchell at the ripe age of 13\, and followed the trend of looking up to other strong female musical leads like Regina Spektor\, Amanda Palmer\, Grace Slick and Fiona Apple. A strong believer in the power of femininity and woman roles in the music realm\, she likes to experiment with her playing styles and her listening ear\, believing that all things are inter-connected and all genres can learn from one another. Like all areas of music and life\, she believes in expressions\, not impressions\, and that good\, free and wild things in life come with openness and playfulness. Her efforts and intentions are to use music as a vessel to emulate this. \n 
URL:https://cafecarpe.com/event/song-swap-w-jim-barnard-dakotah-rose-tim-caughlin-jr/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20150525T193000
DTEND;TZID=America/Chicago:20150525T220000
DTSTAMP:20260430T190456
CREATED:20150428T181758Z
LAST-MODIFIED:20150428T182824Z
UID:2491-1432582200-1432591200@cafecarpe.com
SUMMARY:JEFFREY FOUCAULT
DESCRIPTION:JEFFREY will be appearing with BILLY CONWAY on this special Memorial Day show.  Close out your holiday with some food and fine music. \nTHE NEW YORKER:\n“Jeffrey Foucault\, sings stark\, literate songs that are as wide open as the landscape of his native Midwest.” \nMOJO:\n“Songwriting brilliance.” \nTHE IRISH TIMES:\n“Quietly brilliant…” \nUNCUT:\n“The music of Wisconsin native Foucault is the kind so many aspire to but never attain: beat-up troubadour folk whittled to dolorous perfection…” \nLauded for ‘…stark\, literate songs that are as wide open as the landscape of his native Midwest.’ (The New Yorker) and described as ‘Quietly Brilliant’ (The Irish Times)\, Jeffrey Foucault has released four collections of original songs under his own name\, and two full-band collaborations with contemporary poet Lisa Olstein under the moniker Cold Satellite. His songs\, ‘Beat-up troubadour folk\, whittled to dolorous perfection’ (Uncut)\, mine the darker seams of American music to distill a terse amalgam of blues\, country\, rock ’n’ roll\, and folk. ” \nSN&R (SACRAMENTO NEWS & REVIEW):\n“Jeffrey Foucault is cut from the same cloth as John Prine… Like Prine his voice leans toward the gravelly but stops short of Dylan-esque mumble-grumble and has just a twinge of country. Also like Prine\, Foucault lyrically tends toward some surprising twists that illuminate the realities of contemporary life – songs like “Americans in Corduroys” from his Ghost Repeater album\, which mixes a honeymoon with commentary on war. He’s smart and pays attention to melody and a strong hook in his songs… a sure bet for a good show.” \nIn September of 2015 Jeffrey Foucault will release SALT AS WOLVES\, his fifth collection of original songs. Featuring Foucault’s longtime rhythm section Billy Conway (Morphine) on drums and Jeremy Moses Curtis (Booker T) on bass\, and reuniting him with legendary electric guitar player Bo Ramsey (Lucinda Williams\, Greg Brown)\, SALT AS WOLVES offers twelve tracks that exist out of time\, like a field recording of a place that never existed: a lean\, bold blues record that deftly weaves together disparate strands of sound and experience\, raw love and desperate wisdom.
URL:https://cafecarpe.com/event/jeffrey-foucault-6/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20150529T203000
DTEND;TZID=America/Chicago:20150529T230000
DTSTAMP:20260430T190456
CREATED:20150319T135100Z
LAST-MODIFIED:20150429T152856Z
UID:2447-1432931400-1432940400@cafecarpe.com
SUMMARY:STRANGLED DARLINGS
DESCRIPTION:Thoughtful indie folk music (Americana doom pop) by people young\, hungry & in the area so why not come give them a listen? \nSTRANGLED DARLINGS brings a punk intensity to their live show. Taking a cello and making it a hip hop bass. Taking mandolin and slapping it like a stubborn mule. The Portland-based duo has been creating original tunes since 2009 and breaking the mold for what hipsters consider indie music. They bring a lyrical intelligence and political punch to songs that otherwise might have just been another break up song. Their song material focuses more on witchcraft in the Civil War\, the morality of Somali piracy and the curse of Anna Nicole Smith’s breast implants. The band has released three studio albums and a fourth is due out this fall. Their live show mixes technical mastery with deadpan humor and a little something to shake your rumpus.Strangled Darlings are on an extended US tour to support their upcoming 2014 release  of “Boom Stomp King”. The album focuses solely on the duo sound; the current touring set-up. Boom Stomp King is a record about objects\, shelter\, the ephemeral nature of your history.Strangled Darlings are George Veech on vocals\, mandolin\, harmonica and Jessica Anderly on vocals\, cello/bass­­­­­­­. \n\n\nThe band’s name derives from a William Faulkner quote about editing your creative process without sentiment. \n[the] music can feel organic and untethered\, but these numbers\, perhaps appropriately\, have the handcrafted aspect of American quilts — colorful\, stitched-to-each-other artifacts pieced together using the fabrics of dozens of other\, older garments. This allows for a richness in texture\, a sense of history and a sort of comfortable resonance with the past. Staccato circus-carny rap songs follow sweeping gypsy waltzes with Tom Waits edginess and the gangling grace of a Decemberists narrative.  — Sleeping Hedgehog\, March 2011 \n Seemingly unrelated genres converge into a dark and twangy mix of twisted freak folk\, Romany melodies\, Cab Calloway saunter\, Tom Waits murder ballads and everything in between\, all hammered out on a mix of traditional and modern instruments.  —Williamette Week March 2011
URL:https://cafecarpe.com/event/strangled-darlings2/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20150530T200000
DTEND;TZID=America/Chicago:20150530T223000
DTSTAMP:20260430T190456
CREATED:20150319T135004Z
LAST-MODIFIED:20150521T140024Z
UID:2446-1433016000-1433025000@cafecarpe.com
SUMMARY:KAREN JOHNSON
DESCRIPTION:KAREN JOHNSON \nSweet-voiced Fort folksinger Karen loves Nancy Griffith\, Allison Kraus\, and others of that genre.\nGive her another listen here.
URL:https://cafecarpe.com/event/strangled-darlings-2/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20150605T193000
DTEND;TZID=America/Chicago:20150605T220000
DTSTAMP:20260430T190456
CREATED:20150527T191257Z
LAST-MODIFIED:20150527T191257Z
UID:2518-1433532600-1433541600@cafecarpe.com
SUMMARY:OPEN STAGE
DESCRIPTION:
URL:https://cafecarpe.com/event/open-stage-69/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20150606T203000
DTEND;TZID=America/Chicago:20150606T230000
DTSTAMP:20260430T190456
CREATED:20150326T165528Z
LAST-MODIFIED:20150326T165914Z
UID:2465-1433622600-1433631600@cafecarpe.com
SUMMARY:CLAUDIA SCHMIDT
DESCRIPTION:More than 4 decades as a touring professional have found Michigan native  CLAUDIA SCHMIDT traversing North America as well as Europe in venues ranging from intimate clubs to 4\,000 seat theatres\, and festival stages in front of 25\,000 rapt listeners. She has recorded nineteen albums of mostly original songs\, exploring folk\, blues\, and jazz idioms featuring her acclaimed 12-string guitar and mountain dulcimer playing. \n“If it were the intention of the creator or creators of this universe to perfectly blend together the night sky with moon and stars\, it might have been their intention as well to deliver Claudia Schmidt as their messenger of reminder.  To say that Schmidt is simply a performer with a talent to entertain would be a miscarriage of understatement. Schmidt takes her audiences into her world as easily as the child who discovers the endless universes that exist in a cardboard box….. \nSchmidt weaves her way through her concert in much the same manner as a jester. Interwoven anecdotes\, revealing her past and present\, bring people to expect a relationship between themselves and memories driven deep with the passage of time. The concert is an endless display of self-realization through humor and longing\, leaving audience members yearning to become an integral part of her world.”  Door County Advocate \n 
URL:https://cafecarpe.com/event/claudia-schmidt-2/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20150611T190000
DTEND;TZID=America/Chicago:20150611T210000
DTSTAMP:20260430T190456
CREATED:20150605T221024Z
LAST-MODIFIED:20150605T221302Z
UID:2528-1434049200-1434056400@cafecarpe.com
SUMMARY:THE NEW PIONEERS
DESCRIPTION:This five piece bluegrass ball of fire featuring vocals\, banjo\, fiddle\, guitar\, bass and mandolin appears here regularly on the 2nd Thursday of the month. Its various members have been involved with traditional music locally\, regionally\, and nationally for many years. \nThe Pioneer’s lead singer and guitarist\, Jerry Wicentowski\, has been described by country music historian Bill Malone as “One of the finest singers in bluegrass music”. Jerry has also performed and recorded with such bluegrass greats as Tim O’Brien\, Andy Statman\, Byron Berline\, Tony Trischka and others. Mike Schmidt of Spring Green\, Wisconsin\, is the group’s banjo player. This former French horn player has been a Nashville session musician and member of the popular Wisconsin-based bluegrass bands\, Alive ‘n’ Pickin’ and the Piper Road Spring Band. He also performs occasionally with his wife Lori. Bruce King of Art Stevenson and High Water – also formerly of Alive ‘n’ Pickin’ – is on mandolin. Bruce and Mike are veterans of the Great Northern Bluegrass Festival in Mole Lake\, WI – performing there every year from 1977 to 1982. Fiddle player Paul Kienitz is a member in good standing of regional bluegrass favorites\, The Nob Hill Boys. Bass player John Jirak also has played banjo with various folks in the northeastern WI and Madison areas\, most notably with the Green Bay based Fox River Flyer. As a bass player\, he’s performed shows with the Chicago Bluegrass Band\, Miltown Ramblers\, Krause Family\, Old Cool\, Spare Time Bluegrass Band\, Bob Steeno and The Old Truck\, and Down From the Hills\, and currently Madison’s newest\, Kettle Moraine. \nLike them on Facebook.
URL:https://cafecarpe.com/event/the-new-pioneers-24/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20150612T203000
DTEND;TZID=America/Chicago:20150612T230000
DTSTAMP:20260430T190456
CREATED:20150428T183322Z
LAST-MODIFIED:20150609T185613Z
UID:2493-1434141000-1434150000@cafecarpe.com
SUMMARY:THE *HITUNAUTS- SABIEN PORTER CAMPLIN MULVEY friday sold out
DESCRIPTION:SOLD OUT !!! Check for space on Saturday\n \n\n Not for the low-fat crowd- this is the cream of the crop of Wisconsin musicians. Strength in Voice\, Instrumentation\, Lyrics\, Entertainment\, these guys are VILE. \nWhat’s not to like- except them\, a bunch of knobs? \nI meant nauts.   “They will go as far as outer space to bring you the truth. I shit you not\, my friends.” \nUse the link above to reserve your seats. Treat yourself to a spectacular evening of music. \nWILLY PORTER PETER MULVEY BILL CAMPLIN RANDY SABIEN \nPeter explains it thus: \n“People\, this is the heart of what I do. I love to get musicians together and to play music in its raw\, conversational form. To listen\, to jump in without knowing exactly what comes next\, to be surprised and enlivened. This is the holy grail for me: to play music as though it’s happening offstage\, for pure joy and discovery and communication between friends and strangers. And over the past decade or so\, first in the winter at my hometown Cafe Carpe\, and then over the past three years at my home-away-from-hometown ClubPassim\, I’ve found a way to tease this kind of offstage music into an onstage situation: The Lamplighter Sessions. It changes every year\, but then\, don’t we all? Trust me\, you should get to one of these shows if you can. Lightning will strike.” \nPETER MULVEY – “master guitar wizard\, erudite song writer and just all around great guy. The depth in any Mulvey song is incredible from the mastery of tune & rhythm\, to the lyrics\, even down to the concept of his albums”. Whitney Luckett \nWILLY PORTER\n“Porter plays intelligent\, groove — heavy folk with hearty abandon”\n— Santa Fe New Mexican \n“With his exquisite\, tranquil guitar work\, Willy Porter could easily astonish an audience without singing one note. His ability to engage the audience with his personality and intellect raises Porter from the level of guitar wonk into the realm of masterful performer.”\n— Earvolution \n“Willy Porter is a relaxed and fearless performer who’ll entertain you as well as move you.”\n— Acoustic Guitar Magazine\n“Porter accentuates well – rendered tales with spit – fire – percussive acoustic guitar strumming and fiery color – chord picking.”\n— Billboard \n“[Willy Porter] can captivate an audience as completely as can an entire rock band.”\n— Washington Times \nRANDY SABIEN is no stranger to our stage\, and no stranger than anyone else who has graced it. He regularly steps beyond the boundaries of what many think of as jazz\, forging headlong into the worlds of rock\, blues and funk. His career began with classical violin lessons\, he soon picked up fiddling and from there it was only natural he would find himself playing along with his favorite rock tunes. Then at age 19 he was reborn with the discovery that you could play jazz on the violin. The resulting sound is swinging\, rocking\, rhythmic and bluesy with a fiddle that often plays more like a saxophone than a violin. There are shades of Duke and Miles and you can certainly hear the echoes of the great jazz violinists from the swing era but above all\, Randy is a product of his time – someone who grew up playing the violin while immersed in the music of the 60s and 70s. \n“Jazz violinists usually draw from one of two traditions. The best of both can be found in the superb Randy Sabien… he combines classical technique and folk energy in a program that’s still strictly jazz. ” USA TODAY \nBILL CAMPLIN is no stranger to our stage or to Willy or Peter or Randy\, who has admitted in weaker moments to enjoying accompanying Bill. Bill is a fine lad with a fine voice\, but give him JimBeam instead of djembe. Oh yeah\, by the way- “the best singer no one has ever heard of”.
URL:https://cafecarpe.com/event/the-hitunauts-sabien-porter-camplin-mulvey/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20150613T203000
DTEND;TZID=America/Chicago:20150613T230000
DTSTAMP:20260430T190456
CREATED:20150428T183410Z
LAST-MODIFIED:20150611T203219Z
UID:2494-1434227400-1434236400@cafecarpe.com
SUMMARY:THE *HITUNAUTS- SABIEN PORTER CAMPLIN MULVEY- basically sold out
DESCRIPTION: \nNot for the low-fat crowd- this is the cream of the crop of Wisconsin musicians. Strength in Voice\, Instrumentation\, Lyrics\, Entertainment\, these guys are VILE. \nWhat’s not to like- except them\, a bunch of knobs? \nI meant nauts.   “They will go as far as outer space to bring you the truth. I shit you not\, my friends.” \nTreat yourself to a spectacular evening of music and fun. Follow the link above to reserve your seats.  \nWILLY PORTER PETER MULVEY BILL CAMPLIN RANDY SABIEN \nPeter explains it thus: \n“People\, this is the heart of what I do. I love to get musicians together and to play music in its raw\, conversational form. To listen\, to jump in without knowing exactly what comes next\, to be surprised and enlivened. This is the holy grail for me: to play music as though it’s happening offstage\, for pure joy and discovery and communication between friends and strangers. And over the past decade or so\, first in the winter at my hometown Cafe Carpe\, and then over the past three years at my home-away-from-hometown ClubPassim\, I’ve found a way to tease this kind of offstage music into an onstage situation: The Lamplighter Sessions. It changes every year\, but then\, don’t we all? Trust me\, you should get to one of these shows if you can. Lightning will strike.” \nPETER MULVEY – “master guitar wizard\, erudite song writer and just all around great guy. The depth in any Mulvey song is incredible from the mastery of tune & rhythm\, to the lyrics\, even down to the concept of his albums”. Whitney Luckett \nWILLY PORTER\n“Porter plays intelligent\, groove — heavy folk with hearty abandon”\n— Santa Fe New Mexican \n“With his exquisite\, tranquil guitar work\, Willy Porter could easily astonish an audience without singing one note. His ability to engage the audience with his personality and intellect raises Porter from the level of guitar wonk into the realm of masterful performer.”\n— Earvolution \n“Willy Porter is a relaxed and fearless performer who’ll entertain you as well as move you.”\n— Acoustic Guitar Magazine\n“Porter accentuates well – rendered tales with spit – fire – percussive acoustic guitar strumming and fiery color – chord picking.”\n— Billboard \n“[Willy Porter] can captivate an audience as completely as can an entire rock band.”\n— Washington Times \nRANDY SABIEN is no stranger to our stage\, and no stranger than anyone else who has graced it.  He regularly steps beyond the boundaries of what many think of as jazz\, forging headlong into the worlds of rock\, blues and funk. His career began with classical violin lessons\, he soon picked up fiddling and from there it was only natural he would find himself playing along with his favorite rock tunes. Then at age 19 he was reborn with the discovery that you could play jazz on the violin. The resulting sound is swinging\, rocking\, rhythmic and bluesy with a fiddle that often plays more like a saxophone than a violin. There are shades of Duke and Miles and you can certainly hear the echoes of the great jazz violinists from the swing era but above all\, Randy is a product of his time – someone who grew up playing the violin while immersed in the music of the 60s and 70s. \n“Jazz violinists usually draw from one of two traditions. The best of both can be found in the superb Randy Sabien… he combines classical technique and folk energy in a program that’s still strictly jazz. ”  USA TODAY \nBILL CAMPLIN is no stranger to our stage or to Willy or Peter or Randy\, who has admitted in weaker moments to enjoying accompanying Bill.  Bill is a  fine lad with a fine voice\, but give him JimBeam instead of djembe. Oh yeah\, by the way- “the best singer no one has ever heard of”.
URL:https://cafecarpe.com/event/the-hitunauts-sabien-porter-camplin-mulvey-2/
END:VEVENT
END:VCALENDAR